Showing posts with label DIY. Show all posts
Showing posts with label DIY. Show all posts

Thursday, 14 January 2016

Buchla-Volca Bass

Published on Jan 14, 2016

This vid is a unedited take. The sounds are just from the hacked Volca.
I'ts not a TB303 but it's not too shabby either,,... esp considering its price.

The 208 is syncing the volca, and also provides its power.
I'm not finished modding this .. the box is too small so I will prob end up putting this into a bigger case.

Here is more information on the volca bass hack:
http://djjondent.blogspot.com.au/2016...

Sunday, 10 January 2016

Buchlaized Korg Volca Bass

Some notes regarding incorporating a Korg Volca Bass into a Buchla 208 easel.
The aim is that the Easel's patch card provides all power, sync & CVs for the volca bass.
This is a progression from my earlier attempt of buchlaizing a Korg monotron Duo.
I'll update this as I do the mods.


Open from the back.

 Korg has as with the monotron labelled patch points.
VCO out, VCA out & VCF out.
Plus there are the outs for the Saw & square waves for all 3 VCOs
There are no schematics available. So there is a fair bit of circuit bending and guesswork here.
If someone out there finds the schematics could you please send me the link.
Maybe Korg will make them available over time.
A close up.


You will need to remove the battery compartment to fit the program card into the case.
And how do you sync both sequencers.???
This appears to be the point:
For it to work you need to fool the volca into thinking you have plugged in a sync cable.

These are my first patch points:
From left to right,
Orange: Sync in.
Blue: Ground
Red: filter (cut off) modulation in.
Green: Filter (Peak) mod in.

The filter cutoff seems to like the 208's random & envelope CVs.
The peak responds ok to the Envelope. Need to do more tests.
Fitting the card into the volca case .... very tight. Needed to remove pretty much everything including the speaker.... not a major loss.

The 4 resistors in the top left are simple voltage dividers.
The volca syncs nicely to 5V pulses and the Buchla outputs 10V pulses.
Though both sequencers do sync, the volca runs at twice the speed of the 208's sequencer.
One solution is to set the 208 to a 4 step sequence and use the 1st & 3rd pluses to clock the volca.

The components on the red circle are a simple DC mixer using a TL072  dual opamp.
The six 100k resistors are the inputs .

In the yellow circle are four 120k resistors for random 1 + 2 (black), sequencer (red), and envelope
generator (green) CV outputs .

Fitting the mixer into such a small box proved a challenge.
I've mounted the pots externally. The mixer is based around a Ken Stone DC mixer design.
DC mixer (CGS 04).

It's very simple - just 2 op-amps. The first opamp mixes the 6 input signals (inverting them in the process) and the second opamp reinverts them.


The mixer is being used for the 6 audio outs (3 from each VCO).
It seemed that the outputs were feeding back into the circuit so I added some diodes.


As I went along I discovered that the VCO, Filter and VCA outputs marked on the PBC also worked
quite nicely as modulation inputs.... So I decided to use these instead on the filter cutoff & peak inputs I marked out earlier (see above). Is this a mistake of the manufacturer? Are the outputs really inputs?



Useful links:
+ Ken Stone's DC mixer (CGS 04)

To be continued.
J

Saturday, 19 December 2015

Korg Monotron (Duo) - Buchlarized

I'm resurrecting some of my old Korg Monotron hacks for a new job - adding an extra voice to a Buchla Easel. The easel is a wonderful synth and I'm always looking for ways to expand on it.

The Duo Monotron is very small but is fully analog & has 2 VCOs, Filter & a X-mod circuit
borrowed from the Korg Mono-poly. (VCO cross modulation). The Aux jack allows you to input external audio.

...
The LP filter is based on the MS10 & MS20 filter design. Sadly there is no HP filter.
The second VCO takes the place of the LFO from the original monotron. 

It should be relatively easy to hack this again. 
The Monotron seems like a prefect candidate for this job. I'm using the Duo Monotron.
If this is successful I will try the same on the Monotron Delay & Original.

The Monotron-Easel BOB (break out box).
The box is a $9 Jaycar job (Australia).
The plan is to be able to plug this into the 208 card slot but still have the slot available for additional
expander cards.

The box was too narrow (by just a few mms) so I had to cut the sides of the card. This makes me cry.
I might in the future etch some smaller 56 slot edge connectors for jobs like this. It's a shame to damage these beautiful expander cards. 

Lots of SMDs. The Red button is for cycling through different scales of the ribbon controller.
the ribbon is quantised to chromatic, major, minor and continuous scales, with chromatic mode the default on power-up.


Both of the Duo's oscillators have square & pulse outs. VCO 1 also has a saw out.

On the back of the PCB are various points labeled gnd, VCC, gate,square 1&2, Saw1&2, PS 1&2, Virb, Vbias, etc

Vrib is the CV input.

In the Monotron DUO the +3.36V is labeled VD and serve as Digital power source (Vcc), it's not the value of Vbias. Vbias is the +1.35V "middle" (or virtual ground) voltage between GND and VCC used in the analog section.

It's a bit like the AUX expander.


Now the real fun starts.
For now I'll leave the ribbon alone. Its essentially a linear 10k pot.

Before I start linking the BOB with the monotron, I thought it would be useful to add some additional mods.
The above patch card (from Cobramatic) illustrates some of the cool mods available.
https://www.muffwiggler.com/forum/viewtopic.php?t=149275

1. CV in (Blue Banana) with an addition on-off-onn switch to gain access to 2 step mode & the
    Seq random No. of steps. 
    You need to add 120k resistors to both of the outputs on the card to properly utilise this feature.


2. Next are the Pulse Outs for each sequencer step (red bananas). 
    For now I've omitted adding the LEDs. I might do this at a later stage.
    Note, these un-attenuated outputs are "hot". I'm reading 15V pulse triggers so do be careful
    when interfacing with external gear. I will prob add some resistors later to cool things down a bit.



3. Now for the Pulse Trigger In’s (yellow bananas) to:
    a. Sequencer,
    b.
Random CV generator rate    
    c. Pulser
    d.
Envelope Generator.
    This should be extremely useful for syncing with external gear
    You need to add 390k resistors to each jack. 
     I might make some permanent connections between some of these inputs and the monotron.
 

4. On the right side panel I'm placing the LPG inputs on the top.
    These comprise 2 blue banana jacks with 120k resistors and a switch to add random CVs
    They will step through the different modes : LP Filter, Combination & VCA.


5. Complex Oscillator
    Two CV ins (White Bananas) with 120k resistors & switches to add random CVs
    These connect to the modulation inputs for wave-shapers 1&2.
   
On the vintage easel card, the complex osc has marked a "key" and two "WS" waveshaper inputs.
The modern BEMI easel cards names them "Key", "t.lev" (timbre level), and "tws" (timbre wave shapes - tri/sq/saw). I understand these are the same so modulation of the left WS input should affect the level of waveshaping, and the WS on the right should morph between tri/sq/saw).



6. Modulation Oscillator
    Two CV ins (Purple in) for modulating the waveshaper &
    the Modulation Mode (FM, AM, none).
    For each input I've also added a simple on-on switch to swap inputs between random CVs and
    banana jack CVs. Again, 120k resistors are needed for each input.

It's a tight squeeze.
Finally, we can add the monotron.

 I'm using just 2 control inputs in this prototype: CV in for the main VCO's pitch & the filter.
The gate and the second VCO inputs didn't respond well to the CVs from the Buchla.
I'm also taking a mix of 5 CV outputs from both of the Duo's oscillators (the red bananas on the front panel).


Some pics of the inside
120k resistors are the magic value for interfacing the buchla
Cvs with the monotron.

I'm using random, sequencer & envelope CVs from the Buchla to modulate the monotron.




Links:
++ DIY schematics (original monotron)- Muffs 
++ DinSync (hacking the original monotron)
++ Adafruit
++ Korg's official schematics for the original monotron are here.
++ Duo schematics
++ Muffs - Monotron Duo CV Mod?
++ ElectroMusicDotCom 

Friday, 18 December 2015

Korg Monotron Delay - Build notes for Shock Electronix euro version

These are my build notes for the Shock Electronix Eurorack conversion of the Korg
Monotron Delay.
I remember modifying my monotron back when they were first released. So much fun.

Matt from Rhythm Active has done some great work in producing this kit.
Its very easy to build.
BOM
Resistors:
100R x 1
390R x 1
270R x 1
33K x 1

Diodes:
1N4148

Capacitors:
100n
10uF electros

First open up your Monotron Delay.

Lots of surface mounted components. You could hack from this surface to (a future job) but Korg have helpfully placed the patch points on the rear.

I love the people at Korg. They have even made the schematics freely available.
Delay schematics are here.

Back to the build.
Resistors first.


Wednesday, 16 December 2015

Buchla Easel - Program card map for BEMI, Vintage & Rev II 208s

Some maps to help navigate the Buchla Easel program/patch card.
These first 2 pics are for vintage & rev2 versions (not the Rev 1).


1. +15V                                          15. sequencer (out) B ?? (different to tab13F ??)
2. Gnd  (Quiet)                                16. Random out
3. ?  ("rng" on the BEMI card)           17. Envelope trig in
4. ?                                                18. Pulser out A
5. ?                                                19. Env Duration (sustain on the BEMI card) in
6. ?                                                20. Pulser out B
7. Voltage Level - Step 1 (in)             21. Env (in) decay
8. Voltage Level - Step 3 (in)             22. Level (Gate) 1 in
9. Volatge Level - Step 4 (in)             23. MOD osc waveshaper
10. Voltage Level - Step 5 (in)           24. Keyboard in for mod & complex osc
11. n  - sequencer no of steps (in)     25. Level (Gate) 2 in
12. Pulse sequence in.                    26. Envelope Det (CV B)
13. Sequencer CV levels (out)           27. Gate Mode 2?
14. Random (trigger) in.                    28. Inv (Buffer)

On the vintage easel card, the complex osc has marked a "key" and two "WS" waveshaper inputs.
The modern BEMI easel cards names them "Key", "t.lev" (timbre level), and "tws" (timbre wave shapes - tri/sq/saw).
-------------------------

1. -15V                                 15. key Volt B
2. ?                                       16. pulser trig in
3. ?                                       17. timbre
4. ?                                       18. attack (envelope)
5. ?                                       19. Pressure (Env ??? B)
6. ?                                       20. Envelope Gen (CV B)
7. Voltage Level - Step 2 (in)    21. Seq out (Pulse B)
8. random                              22. Mod osc (Mode) in
9. Period in                            23. Inv  (CV) in
10.index (in)                           24. Complex Osc (WS in) 1
11.frequency (in)                     25. Complex Osc (WS in) 2
12.Sequencer - *Trig in*           26. Gate Mode 1 ?
13.pitch in                              27. SR (Gate out) Offset (EN B)
14.keyboard (pulse B) out        28. SR Gate in (Gate 2 ??)

Modern BEMI cards are 99% the same. They don't have the upper prototyping section
and there is an additional RNG patch point for the mod osc.

The inputs to the "rng" on the BEMI card are 3rd tab, front.
The outputs from the "rng" are tab 27 on the rear of the card (the second last tab).

On the vintage easel card, the complex osc has marked a "key" and two "WS" waveshaper inputs.
The modern BEMI easel cards names them "Key", "t.lev" (timbre level), and "tws" (timbre wave shapes - tri/sq/saw).

-------------------------------------------------------------------------
Amendment. 07 Jan 2018.
Front row, pin 6 is Modulation Oscillator out on the newer BEMI Easels.
Many thanks to Sascha H. of Northern Light Modular for this info.
I haven't checked this on any my easels yet. I have a vintage, a early Roman 208 Rev 2 and a early BEMI.
------------------------------------------------------------------------------
Notes:
++ The trigger point for the sequencer can be either of the bottom two connections
 (below the K or P).
  It corresponds to Tab 12 on the rear card edge connector.
  Looks like the 208 works well with 5V triggers --as tested with my littlebits sequencer.
 http://djjondent.blogspot.com.au/2015/12/buchla-easel-vs-korg-littlebits-and.html

++ Muffs- Easel Mega BOB - Cobramatic

++  Muffs 2 - Easel extension card thing

++ Todd Barton - Easel exploration II
 --------------------------------------------------------------------------------
If there are any errors, omissions or BS, please let me know.
I'll update this page as I sus out all the connections.

Sunday, 13 December 2015

Buchla easel vs Korg Littlebits (and some patch card magic)

I'm surprised at how good the Korg LittleBits sound through a Buchla 208.


This setup involves a BEMI easel with the Cobramatic breakout box (BOB) and two of my easel patch cards (the main & satellite).


The satellite one lying on the table with the little bits on top is powered from the vintage easel.
The trigger point for the sequencer can be either of the bottom two connections (below the K or P).
It corresponds to Tab 12 on the rear card edge connector.

Everything is clocked from the Littlebits sequencer even the two easels. We were really surprised how easy this was to do.

Thanks to Adam S for the idea & inspiration to use the LittleBits