Colombo Town Hall

 

Page R - Pattern Mode editing - Fairlight - CMI

The Fairlight CMI IIx Page R has two settings.

1. Pattern Mode

2. Song Mode

    + Song Mode editing - Fairlight - CMI

This post covers the Pattern Mode.

The pic below is a pattern.

A PATTERN is a 1-bar SCORE for 8 monophonic keyboards.

It consists of eight individual sequences of musical notes

The sequences are numbered from 1 to 8, corresponding to the KEYBOARD MAPS

that are provided on PAGE 3 (below pic)

Your final musical piece is developed by creating up to 255 different patterns

and playing these patterns in different combinations.

The PATTERN EDITOR is used to display, create or modify

the musical patterns.

To select  the PATTERN EDITOR either

type: E<return>

or use the lightpen: and touch <PATTERN>

All of the patterns and the playing order for a single piece are stored together on disk in one 

FILE with an " RS" suffix. 

-------------

Firstly, you can have up to 255 patterns saved in a .RS file

Choosing the PATTERN NUMBER:

There are 4 ways to select a pattern for display:

1) TYPE: P=n<return> where: n is any pattern number (1 to 255)

   

2) Move the CURSOR to the number opposite the word Pattern

(either press down-arrow key three times or use lightpen)

   Type n<set>       where: n is any pattern number (1 to 255)

3) Move the CURSOR to the number opposite the word Pattern

    (either press down-arrow key three times or use lightpen)

     use the <add> & <sub> keys to increment or decrement the pattern number by 1

4) Use the BAR command.

    This displays the bar number related to the linking of patterns in the Song Editor. (p42 of manual)

    

    Type:

    B(AR),n<return>

    n=1 to 65535

As an example, to look for & display the 9th bar in a song type:

    B,9<return>

--------------------------

Next, open a keyboard.

There are 8 virtual keyboards.

One of the 8 keyboards must be OPEN before notes can be

inserted or deleted or RECORDED.

When a keyboard is open, it is illuminated.

There are three ways to OPEN a keyboard ...

i) TYPE: Kn<return> where n = 1 to 8 as on all other CMI pages

e.g., K4<return> will open Keyboard 4.

2) Press the down arrow key repeatedly until the cursor

reaches the keyboard area.

3) Point the lightpen at the voice names or one of the big numbers 1 to 8 to the left of the actual note area.

Quantisation / Timing resolution

TIME RESOLUTION may be changed in two ways:

1) by pointing the light-pen at the collection of eight notes

in the bottom right-hand corner of tne screen.

Notes with triangles signify

"triplets" i.e., three notes played in the time of two.

2) by OPENING a keyboard and then repeatedly pressing

"+" or "-" on the alphanumeric keyboard to lower

or raise timing resolution.

--------------------

The NOTE Cursor.

This is the location on your editor timeline where you will enter the notes.

There are three ways to move the note cursor:

1) use the light-pen 

2) TYPE: > to shift the note cursor right 

    OR   < to shift the note cursor left

3) put the CMI in the RECORD mode. 

   The note cursor follows music keyboard performance in real time.

-------------------

VOICE display :

To the left of the screen is the voice display

showing whicn voices are loaded into the eight

sequencers. The voice display also contains

the NOTE EDITING TABLE.

The NOTE EDITING TABLE is "behind" the

Voice names. This shows

KEY (pitch) , VEL(ocity) , and DUR(ation) .

You can toggle between the two tables by

pointing the light-pen at any voicename or pressing the left/right -arrow

Keys

Use the <add> or <sub> keys to raise or lower

values for KEY, VEL and DUR by one.

--------------------------------------------------------

INSERT  (inserting notes into your patterns)

There are two modes of creating new patterns:

 record mode (real time) or  write mode. The same as in most modern drum machines.

There are three ways to insert notes into patterns:

1) type I <return>

2) point the light pen at the word "INSERT"

3) put the CMI into RECORD mode. 

    Insert is automatic while the music keyboard is played.

Note: The music keyboard can be used as a selection device for pitch and

key velocity of individual notes

Sequences can be COPIED from one or more patterns to others.

DELETE (removing notes from a pattern)

There are two ways to delete a note in a pattern after

positioning the note cursor:

1) TYPE: D<return>

2) point the light pen at the word "DELETE"

----------------

==================================

Basic Play/record commands:

TYPE: P[LAY] [, <thing>[,<count>] ] [,#<bar>] [;<options>] <Return> 

  or

REC[ORD] 

where: 

<thing> is one o£ these... 

                       *                            - SONG 

                        A or B or ... or Z  - SECTION 

                        !                           - CURRENTLY DISPLAYED PATTERN 

                        1 or 2 or ... 255    - PATTERN NUMBER 

<count> is a number from 0 to 127. 0 signifies infinity. 

#<bar> is the start bar number from 1 to 65535 of <things>

;<options>  w - wait for any key on the alphanumeric keyboard to 

                          be hit before starting. 

                    F - free-run mode - maximum timing accuracy. 

                          Used when finally recording onto tape. 

                          Use when EXT ernal syncing. 

At least 3 letters of the word RECORD need to be typed. ie REC

If using the lightpen point to "PLAY" or "RECORD".

------------------

To display a specific pattern :

P=n<return>

To play a specific pattern:

P,n<return>   (where n= the pattern number)

To play a specific pattern a specific number of times (loop):

P,n,x<return>   

(where n= the pattern number)

(where x= the number of loops)

Note, if you want to pattern to loop infinitely , x=0

To play the past played pattern ,  type:

P<return>

Type S<return> to stop the loop.

---------------

copying patterns

1. Go to the pattern you want to copy to.

2. Type: C,<number> RETURN

    C=copy

    <number> = the pattern number you want to copy

Thus to copy pattern 1 to pattern 2, 

you need to go to pattern 2 and then type:

 C,1 (return)

----------------------------------------------

Playing Songs

P,*<return> 

Play whole SONG. (start at bar 1, * = song)

P,*,0 <return> 

Play whole SONG forever. (start at bar 1, * = song, 0 = infinite loop)

To stop type:

S<return>

or hold down<ctrl> & press Escape. 

-----------------

Index

+ Basic commands (Initial Pics)
+ Page 1 --- The IIx index 
+ Page 2 --- Disk Control
+ Page 3 --- Keyboard control (NPHONY)
+ Page 4 --- Harmonic Profiles 
+ Page 5 --- Harmonic Amplitude Profiles 
+ Page 6 --- Waveform Drawing
+ Page 7 --- Control parameters 
+ Page 8 --- Sampling
+ Page 9 --- Keyboard Sequencer
+ Page R --- Real Time Composer

               --- Page R - Pattern Mode editing 

               --- Page R- Locust Demo

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Click here for the main Fairlight index

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La Pavoni Europiccola notes

I'm using a La Pavoni Europiccola Post Millennium machine in this post.

Everyone says this is a hard machine to master, but I think with a bit of trial, error and experimenting you can get great shots.

Lever machines like the Europiccola require artistry.

Over time I've bought a few more lever machines and seem to have lost the desire to buy the more expensive pressure profiling machines. Regular espresso machines found at most coffee shops apply a constant amount of pressure (ideally 9 bars) to hot water (ideally 90C) to make espresso.

Pressure Profiling machines allow more tweaking of parameters like pressure, temp, flow rate, etc. These machines try to turn coffee into a science.

Each shot can now be reproduced consistently in terms of water temperature, pressure, and volume every time. I personally don't think there is anything wrong with this method. I'm in the process of modifying a Gaggia classic into one of these (more about that later) pressure profiling machines.

If the aim is to achieve perfection every single time, its really the only path to take. But that human element is disappearing bit by bit. Taken to the extreme the barista can be eliminated with a robot.

It's the reason I still visit my local barista. She is a professional making probably hundreds of coffees a week. You can get really good with that amount of practice.

Lever machines are a challenge, and each shot you make will be unique. There is something magical about getting a perfect shot ...the unpredictable human element is always there. .... like perfectly taking a corner in a manual car or getting a hole in one on the golf course. 

You know you will probably never replicate it, but it will live in your memories forever.

Temp is I think critical. You can buy a thermometer strip. I found these difficult to read but I know lots of people love them. I've gone the electronic thermometer route. 

Much more accurate.

Remember to depressurize the boiler before pulling the shot 

(this also stops the temp from creeping up and instead makes it decrease over time).

I de-pressure by purging air with the steam wand. 

I purge steam until about 1 bar of pressure is left in the boiler.

Flush the group head 1 to 2 times till you reach 90C.

Try your best to economise with water

Some models of the Pavoni are equipped with a boiler manometer. This allows you to estimate the water temperature

according to the boiler pressure. The documentation indicates that the boiler pressure should range be between 0.6 and 1 bar. 

A good standard boiler water temp will be about 94 °c.

Before you brew, let the machine get to the target temp area.

I adjust the temperature setting by sometimes dipping the portafilter in water or raising a cup full of water to immerse the group-head.

Target:

80-87C dark roast; 

85-91C medium roast; 

89-93C for light roast

Double shot

Part No. 327053 - For Post 2000 models, the outer diameter is 60 mm, internal diameter 53 mm, 

holds 16 to 18 grams of coffee and fits a 51 mm tamper.

Single shot

This takes 7-8 grams

-------------------------

Ratios:

The ristretto shot is also known as a restricted shot, 

and typically features a brew ratio between 1:1 and 1:1.5.

A traditional espresso is typically 1:2-1:2.5A

A lungo, or long shot, is usually about 1:3 to 1:4.

---------------------------------------------

Method (double shot):

Start with 17-18 grams of coffee.

The normal double basket output from a La Pavoni is between 35 and 40 grams or mls (when the group is at the correct temperature). 

Aim for the shot pull time to be between 25 to 30 secs

Alter the dose to get the  flow time and lever resistance that you want. When you have that, experiment for flavour by altering the tamp force and grind, but always changing them in tandem so the flow rate and lever resistance aren't thrown off.

Grind size for light roast: 2.5 (Vario VS3 grinder).

Light tamp. 18g in, 36g out. 5sec pre infusion, 25secs total.

My aim is 36g out from 18g in over 25-30 secs
The easiest way to do this is to put 30 grams (mls) of water into a glass before ever making single shots.

Mark the outside of the glass with tape. This is the target amount. 

If you always use the same glass you will quickly learn the proper depth. Too long a shot will be bitter.

The boiler pressure & temperature will effect the pre-infusion stage (in addition to grind size, Tamp, roast degree, etc)

The water in the Europiccola boiler is at a much higher temperature (around 120°C) than that required to extract the coffee (90-94°C). It cools as it leaves the boiler & comes into contact with the grouphead. 

Pre infusion should last between 6-10 secs... depends on your taste preference.

It can be varied even more if you add pressure (active vs passive).

Thus the 4 main types of prefusion available are:

a. short (6 -10 secs)

b. short + pressure

c. long

d. long + pressure (15-20 secs)

If you are adding pressure to your pre-nfusion, its useful to add a pressure gauge (to the grouphead).

Usually a short pre-infusion is preferable when you want to accentuate the acidity but at the expense of body. With a long pre-infusion instead, the acidity is usually softened and the body will benefit.

Note: Lighter roasts need longer pre-infusion.

Light roast: 8-15 sec pre-infusion.

Medium roast: 6-8 sec pre-infusion.

Dark roast: 4-5 sec pre-infusion. (If you grind coarser it should still extract in 25-30 secs)

My method:

1. Wait for the critical thermometer reading that you have noted to give good brewing in the past, then insert the basket.

2. raise the handle to just under the point at which water is allowed into the brewing head. This is your pre-infusion point. Lock in the portafilter and completely raise the handle.

I then wait seven or so seconds. This is the Pre-infusion.

Then I gently lower the handle until the first drop of espresso appears.

Pre-infusion is ended. .... this is usually around a quarter off the top position on the lever's stroke.

3. Now lift the lever back to the top slowly, and perform the main pull.

Another method is to do just one pull.

Softly at first until the first drops come, then full pressure down.

The nice thing about these manual levers is that there are infinite variations to coax the best flavors from your coffee.

I aim for the shot to pull between 25 to 30 secs

My fav ratio is 1:1.5

So for 17g in,  I'll aim to get 25g out in 25 to 30 secs

A common profile would be relatively low pressure (1-3 bar) preinfusion for 10-30 seconds, 

followed by full pressure (6-9 bar) for 20-40 seconds.

--------------------------------------------------

Single shot

I think the La Pavoni single basket is designed for a long shot style 1:3 espresso. 

6.5g-8g load in and about 21- 24g out.

Or

with a 1:4 ratio 7g in will get 28-30 g out (still aiming for 20-25 secs).

If you aim for a 1:2 ratio you will still get a respectable 14 to 15gm out from 7g in

in 20 - 25 secs (experiment with a finer grind size)

Experiment of course.

Works great with dark roasts.

I love pulling espressos, so if i can master using the smaller basket, i can pull more shots per day and not overdose on coffee.

---------------------

Elektra Micro Casa Leva vs Pavoni.

I have a old elektra lever machine. 

The Elektra has a larger group head ( thus it has better heat dissipation and temperature stability between shots). The metal mass between the two is very high. 

One advantage of the Pavoni is its small size & fast warmup.

The Gen 1 (from the 1960s) had a brass sleeve in the group head and was water heated (boiler water fills the grouphead).

The Gen 3 (Post mill) Pav is essentially the same ... it has an internal group head sleeve that circulates hot water from the boiler with dry pumps. This allows much faster warmup without the need for a water flush. 

The Gen 2 (up till 1999 Pre-mill) Pavoni doesn't have an internal sleeve but it has the group head directly connected to the hot steam from the boiler. 

Thus you'll experience a very fast warmup but also a risk of much higher overheating. 

One final note... if you are measuring the temp of the group head from the outside with one of those stick on or electronic thermometers , the internal puck temp and group head temperature will be different .... by roughly 10°C.

So if you suffer from OCD  ;-) , you will need to place your sensor inside the puck.

Coffee Profiling 101 - Temp, Pressure & flow.

What's coffee profiling?

It's basically one's attempt to develop coffee recipes that you can repeat & apply  to get

a great espresso.

It is about achieving the perfect balance between sweetness, acidity, and bitterness.

The flavour of your coffee will depend on many factors, such as the type of coffee beans, degree of

roast freshness, temp of the group head, pressure & flow, coarseness or fineness of the grind, initial dose of ground coffee, your ratio and tamping pressure. 

It's all very complex and daunting at first. This is why I love the subject of coffee. The goal of that perfect cup is probably NEVER attainable but the path is so interesting.... a quest for the holy grail.

This post covers mostly 3 factors ... Temp, pressure & flow

Brew Temperature:

Temp profiling (the standard range is between  85 degrees - 95 deg C).

Many tasting panels have found that espresso is more bitter and astringent when it was brewed at 96 °C and 98 °C.... but you be the judge.

The hotter you go, the more you will extract.

General rule of thumb:

Light roasts - 90 - 95C

Medium roasts - 88 to 92

Dark roasts - 85C to 90C

Getting the correct temp is really difficult esp with old lever machines like the Europicola & Elektra La casa. Temp surfing is a real art. That's why people started to put PIDs on them. 

And there is the argument of flat line temp brewing vs actively changing temps during the brew.

People talk about peak temps or average temps. Most machines produce a range of temps. But what's impt is I think consistency from brew to brew.

There are many different methods to Temperature surf. You can draw water out of the group head before pulling a shot to either raise or lower the temp (depends on the machine).

How does the temp effect the taste?

Remember, The hotter you go, the more you will extract.

The ranges are just a window. They can have an effect on taste, though things like Ratio & or the initial dose can have a bigger impact.

However what's the connection between  flow rate & pressure & how does this connect with:

Flow rate profiling & Pressure profiling.

The flow rate is the volume of water that goes through the coffee grounds in a given amount of time.

pressure is the force that the water exerts on the coffee grounds throughout the extraction process. 

Brew Pressure:

Most espresso machines use 9 bars of pressure.

There appears to be a peak of flow  for most espresso machines at 9 bars.

Brewing can be divided into 2 stages.

Stage 1 : Pre-infusion -  this stage starts the moment water enters the basket and ends when the machine has reached it peak brewing pressure.

The aim is to get all the coffee evenly wet before the peak force pushes through the puck.

Increasing the time of pre-infusion will promote evenness of extraction leading to better tasting coffee.

Typically, pre-infusion pressure falls within the range of 0.5 to 4 bars. Espresso machines usually have 1 to 2 bars allocated for pre-infusion.

The ideal Start Time of pre-infusion is between 8 - 12 secs.

If Flow starts after 1–6 secs the espresso will usually be under extracted.

If Flow starts after 12 secs the espresso will usually be over extracted.

The type of coffee will have a big impact.

Generally:

Light roasts tend to be dense so need a long pre-infusion (up to 5-8 secs) 

Medium roasts like a shorter  5 sec pre infusion 

Dark roasts can be quite bitter ... use a 2-4 sec pre infusion

Stage 2: Main brew.

In a electric pump machine the pressure is fixed ... usually 9 bars or 8 bars.

You could set it to 7 or six. ??

The higher the pressure, the finer you can grind.

The disadvantage of using higher pressures is that water looks to channels at these high pressures .

Which is bad for evenness.

At lower pressures, there is less tendency to form channels in the coffee. You can also grind coarser.

and your shot can be more balanced.

This is a reason in favour of old school lever machines.... as your shot progresses, the pressure decreases, making channeling less likely.

Flow Rate

Factors like grind size, tamp pressure, water pressure & water temperature have a significant influence on flow rate.

Coffee roast levels and age of beans also effect this.

Flow and pressure are related.

Pressure is an input to your recipe,  where Flow is an output

Flow rate is typically calculated by measuring the quantity of water that flows from an espresso machine group head over a fixed amount of time. The total weight of water is then divided by the time, giving us a figure in grams per second (g/s).

In theory, controlling the rate at which brew water passes through the coffee – or flow profiling – will enable the barista to precisely target acidity, sweetness, bitterness, and body to create a unique espresso shot.

Summary:

Light roasts tend to be dense so need long pre-infusion (up to 5-8 secs) and a slow flow 2-3 g/s.

Then increase the flow for 5-8 seconds until you achieve 5-7 g/s of coffee.

Medium roasts need a faster flow ... use a 5 sec pre infusion of 5-6g/s.

Then, increase the flow by 30% at 6.5 to 8 g/s.

Dark roasts can be quite bitter ... use a 2-4 sec pre infusion of 10g/s

Then lower the flow rate to 4 grams per second 

This is all a personal taste thing. So do what tastes good for you.

I think the important things are:

1. avoid channeling. Use a naked portafilter to check for channeling.

    drop the pressure if you see channeling.

2. Have small changes to flow ... ie small gradual changes in pressure are good.

3. Longer pre-infusion... make sure the puck is saturated.

tamiX (Nan Tang) - Buchla Leading the People:World's first Buchla concert in Dolby Atmos: t...

Neutral Labs SCRAT Steiner Parker Filter Overview

Tokyo Festival of Modular.

 I'm looking forward to this in Japan.

Saturday 25 November 2023

....

Fairlight - making custom disks (on the Flash drive)

Some first steps in making your own virtual discs.

This is a great way to create some "favourites" or personal folders

using your own or the stock sounds.

I'm using a CMI IIx with a Mustudio flash kit.

I simply copied an existing folder on the SD card supplied with the CMI flash Kit using a PC,

renamed it then, copied it back onto the SD card.

In this case, I called the new file 666.

I didn't have to modify it at all. I just copied it using a PC into folder 1.3.

Now it's simply a process of searching for voice files you like,

& then loading them into the IIx memory using the command:

L,A,<file name> return

Once they are in memory, return to file 666

using the left/right buttons on the flash card reader.

and save into this file using the command:

S,<file name> return

If it doesn't work the first time, refresh the 6800 file using the command 

P2 (page 2)

Then try saving again.

-------------

Renaming the disk & user name

Use the <down-arrow> keys to move the illuminated cursor to 

DISK or USER .

Type : your new name <SET>

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Click here for the main Fairlight index

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AE modular - techno system 4

I've been playing around with my small AE modular to build a compact live techno system.

I'll make a few recordings and upload one to the AE modular website as a contribution to their upcoming Aetherwaves album.

So if you have a AE modular system, why don't you record something and contribute to the community.

+ Submissions are due by midnight UTC, October 23rd

That's still 2 weeks to get your shit together.

The link is here:

https://forum.aemodular.com/thread/2812/aetherwaves-vol-5-submissions-wanted

The rules for the submission are:

+ Only new and previously unreleased material is allowed (please don't use that same track anywhere else after the release!)

+ All sounds must be from the AE Modular. 

+ Maximum length 5 Minutes

+ External effects may be used, such as reverb, delay, EQ, compressor, etc.

My system is missing some modules so I decided to build these.

There are 3 DIY modules:

A LFO, a low pass gate  & a sequencer.

This is the LPG:

Here is its link:

• DIY Low Pass Gate using a AE Modular

The master clock source is a simple oscillator.

This I DIY'ed (breadboarded) using a CD 40106 IC

• CD 40106 IC - making simple oscillators & LFOs

The 4 step sequencer uses 2 breadboards.

Its using a CD 4017 chip.

I'll post links to the individual circuits soon.

CD 40106 IC - making simple oscillators & LFOs

Some notes on making simple LFOs and oscillators using a CD 40106 IC

I'm using a common CMOS  CD40106 chip.

The 40106 is a hex inverting Schmitt trigger.

It contains 6 inverters.

What makes this chip so special is that the inverters are relatively immune to circuit noise.

As with all CMOS chips, it's sensitive to static electricity.

Square wave oscillator

There is no CV, but this can be added later.

I added a LED to indicate when its active.

Parts

CD40106

LED (Blue)

3.3K LED resistor

10k

100k pot

0.1uF cap. (104) --- the value of this cap will determine the rate/speed of the oscillator

Square wave LFO

The circuit is very similar to the square wave oscillator 

It's important to ground any inputs you are not using. ... esp if you are not building all six oscillators.

Parts

CD40106

LED (Blue)

43K LED resistor

10k (experiment with this)

100k pot

1uf to 10uF cap. (Electro) - (cathode to gnd)

This cap will determine the rate/speed of the oscillator, so play around with its value.

The frequency is a function of the capacitor & resistor.

The higher the capacitor or resistor, the slower the frequency.

The cd 40106 can output two waves: square & triangle.

The square wave is pretty strong, but the triangle is quite weak, In order to use the triangle wave you will need to buffer it (with an op-amp).

re the potentiometer:

I only use 2 terminals.

Just use it as a variable resistor (not a voltage divider).

I'e also added a LDR to vary the resistance.

A ribbon strip would also work. 

-------------

As the CD 40106 chip has 6 inverting Schmitt triggers why not build 6 LFOs

..

.

All used a blue LED with a 2.7k resistor. I changed the cap values for each LFO to get different speeds

Out 1:  10K resistor + 100Kpot + 22uF cap

Out 2: 10K resistor + 100Kpot + 47uF cap

Out 3: 10K resistor + 100Kpot + 10uF cap

Out 4: 10K resistor + 100Kpot + 3.3 uF cap

Out 5: 10K resistor + 100Kpot + 1uF cap

Out 6: 10K resistor + 100Kpot + 100uF cap

Nagasaki - things to do

1. Hashima Island

    do the GUNKANJIMA Digital museum --  coal mining 

     first, then do a cruise to the actual island. 3 hrs

2. Mount Inasa

    10-15 mins from the station ,, cablecar

3. Atomic Bomb Museum

4. Peace Park

5. Spectacles bridge (1634)

6. Huis Ten Bosch - theme park replicating a Dutch Town

7. Chinatown

8. Oura Church - 19th century Catholic Church **

9. Urakami Cathedral - Catholic Church and Atomic Bomb site

10. Confucius Shrine (with Chines artifacts)

11. Suwa-Jinja (Shinto shrine with many stairs)

12. Penguin Aquarium

13. Mt Inasayama Observatory - deck with views

14. Nagasaki Kameyama Shachu Memorial Museum

15 National Peace Memorial Hall for the Atomic Bomb victims

16. Mt Nabekanmuri Park

17 twenty six Martyrs museum and monument ..

     memorial to Christians executed in 1597

18. Sofuku-ji

      Zen temple with Ming era architecture

19. Omura Bay

20. Megamio Bridge **

21. Kofukuji temple - 1624

22 Hypocenter - monument - pillar marking ground zero ?

23. Kazagashira Park - Hilltop park with scenic views

24. Peace park - sculpture

25 . Oranda-Zaka  ... historic street with Dutch style homes

26. Kaba Island - lighthouse and cave

27. Dejima - warf  -- 

        Dejima (出島) was a man-made island in the port of Nagasaki, constructed in 

        1636 to segregate Portuguese residents from the Japanese .

        The dutch later moved in.

Glover Garden (Historic house)

....

Beppu

Fukuoka

KUMAMOTO

Arita -- pottery

nagasaki 

Chanpon -- speciality dish

Fukunoyu onsen

wirehead FREAQ FM - part 1

These are my personal build notes for the Wirehead FREAQ FM synth.

Wireheard are from my neck of the woods - Australia.

Its great to see some locally designed synths. Lots of good things come from WA.

The synth is DIY... all parts supplied

Its a 8-bit, two operator, FM synth.

It has 2 FM voices which can be paired with two sequencers

Links

+ support

+ Construction manual

one PCB board & two panels.

"the past is over, the present is fleeting, we live in the future"

Ray Kurzweil

Kurzweil said "I realize that most inventions fail not because the R&D department can't get them to work, but because the timing is wrong‍—‌not all of the enabling factors are at play where they are needed. Inventing is a lot like surfing: you have to anticipate and catch the wave at just the right moment."

Here is the official video build guide;

.....

solder the pins to the arduino, nano 1st.

Then snip the ends off

resistors next.

start with thee 470 ohm & 1M

solder the sockets

caps.. ceramic & electro

104 = 100nF

105= 1uF (blue monolithic cap)

diode 1n4004

(for reverse voltage protection)

transistor npn - BC337 (Q1)

8x..... 9mm 10K linear pots

connect the headers to the LED matrix

switches --- these are polarized

SW1 - SW6

to be continued .........................

• wirehead FREAQ FM - part 2