Showing posts with label Drum Machine. Show all posts
Showing posts with label Drum Machine. Show all posts

Monday, 24 June 2024

NLC - More (cowbell drum module) - Build notes

These are my build notes for the nonlinear circuits "more" module.
It's a eurorack module.

This module contains three individual cowbell circuits based on those in the Roland TR-808.

Links
+ BOM

As far as parts go there isn't anything rare or hard to find.

CD 40106 
& three Opamps - TL072







CD40106 (CMOS IC with 6 Schmitt trigger inverters)

The really cool thing about this circuit is that it uses a logic chip to make metallic noise

Each bell uses 2 of the 6 oscillators.
I think in the 808, similar circuits provide the basis for the cymbal & hi hat sounds




The original 808 used band pass filters to remove the upper and lower partials.



Andrew's description is as follows:
"The filters are fixed as per the original design. This means the output
is loudest when the oscillators are set close to the operating frequency
range of the filters and softer when the oscillators are at much higher
or lower settings. For me, this seems fine, but mess with the filter
values if you like. I have seen some mods of the 2k2 to ground resistor
varied to change the filter range. In proto-typing, this was
experimented with but I didn’t feel it was much improvement."


resistors next

Diodes: LL4148



These are the power protection voltage rectifiers... or just use a 10 ohm resistor and dont plug the module in backwards.



You'll need a through hole +5V 100mA voltage regulator : 78L05. 


power header

Transistors : BC857, 847
Six 1M pots.

12 sockets



The accent input is tied to the trigger input via the switch tab,
probably best to use a gate rather than a trigger to get the sound going,
but that depends on what you want to do. Otherwise patch whatever you
like to make things happen.
This is a dense but easy build.



More links


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You can find more NLC builds here.
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Sunday, 2 June 2024

NLC - Tinkle (drum module) - Build notes

These are my build notes for the nonlinear circuits "Tinkle" module.
Tinkle..... 4 channel preset drum module with a distortion circuit added on the summed output.


TINKLE & STOCHAOS 1


Links;
+ BOM

I found the PCB you be very " tightly packed"... so use a soldering iron with a fine tip to avoid shorts.

The drums are based on the so called “Gamelan resonator” circuit developed by Paul DeMarinis in the early 70s for his Pygmy Gamelan device. 

They are quite simple but have a lovely gentle tone and are easily tunable using different capacitors and gain resistors. 

When building you can select capacitors to suit the pitches you want & different resistor values to vary the gain. 

It would be good to build a few of these to have some variations in pitch

The distortion circuit is fairly harsh but when the drums are feed high frequency clocks you can get some quite heavy sync’d riffs going.


Each drum sound has an output. The 4 sounds are summed together and
passed through the Razor circuit for a mixed output. Turn the pot to
minimum or max to turn off the Razor and get a clean summed signal. 






Parts
TL072 or TL082 4 Soic Tayda: A-1139


LM3900 1 Soic Mouser Part No: 595-LM3900DR .


LL4148 6 sod-80 Tayda: A-1213

--------------------
The 5V1 zeners limit the output of Razors to +/-5V, they do not
have to be installed.... order
Mouser have a lot of 5V1 zeners in stock, some numbers are
78-BZT55C5V1-GS18 or 78-BZT55C5V1 or 78-TZMC5.1
Tayda have a sod-80 5V6 zener which is close enough - A-6014
I'm using a VISHAY TZM5232B-GS08 from Tayda (X-4504)
Zener Single Diode, 5.6 V, 500 mW, SOD-80 (MiniMELF), 2 Pins, 175 °C, Surface Mount




There are 2 x 33K resistor marked..... replace these with10K


 
.
















When building you can select capacitors to suit the pitches you want,
also need to select a resistor value to vary the gain. Some suggested
values are listed below, but feel free to experiment.



Each Gamelan circuit uses 3 caps & 1 resistor.
There are 4 of these circuits.

For comparison, Andrew has also included a pic of a Twin-T & bridged-T circuit.
These 3 circuits are resistor-capacitor networks which are placed in the feedback loop of an op-amp.

Twin-T Oscillators (sometimes known as parallel-T oscillators) are RC (resistor-capacitor) oscillators which produce a sinewave output .
Andrew built a Twin-T  (BongO) drum module many years ago which you might like to check out.
Bong0 - Bongo - Drum / VCO build notes

The Bridge-T oscillator is an even simpler form of RC network.
It's based on a bridge-T notched filter that is placed in the feedback loop of an op-amp, 
changing it from a notch to a bandpass filter.
The Roland TR 808 bass drum circuit is based around a bridged-T network oscillator.
-----------------------------------------

All the capacitors in the build, should be the same value for each Cx and Rx sets
the gain for that section.
For example, use three 2n2 capacitors for the three C1 pads and solder
200k into R1.

Cx   Rx
1n5 180k higher tone
2n2 200k
3n3 220k
4n7 220k
10n 200k
15n 390k
22n 510k
33n 680k lower tone

I think I'll mix things up

Gamelan 1 4n7 220k
Gamelan 2 10n 200k
Gamelan 3 22n 510k
Gamelan 4 33n 680k

It would be good to experiment with this values.
I reckon it would be fun to build a few of these 
modules with other combos.

I prefer the higher frequencies.


Each drum sound has an output. The 4 sounds are summed together and
passed through the Razor circuit for a mixed output. Turn the pot to
minimum or max to turn off the Razor and get a clean summed signal. 

The Razor is an unusual distortion circuit employing unbalanced comparators
to produce pulses that are mixed with the original signal. 
The Razor can be used as a separate module. Patching a signal into the input
disconnects the summed Tinkle signal.
.
final caps 7 resistors.

S1JL, Schottky, power
rectifier or 10R
Im using a 10R resistor

LL4148
headers to connect the 2 PCBs, & eurorack 10 pin power connector.


10 sockets, 1 x B100k pot


Pair this with a VCA/EG


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You can find more NLC builds here.
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Monday, 8 April 2024

Circuitbenders CB55 - drum machine build notes.

These are my build notes for the circuit benders clone of the Roland/- Boss Dr 55 drum.
The clone is called the CB-55.
The original is a really simple and great sounding machine. It's definitely a classic.
I think where it falls short is it's limited sequencer, and that its tricky to sync to external gear. 
I loved the first DR-55 I bought so much, that I purchased a second one with the intention to mod it.
But I just couldn't vandalize  it .
Mods to overcome this are out there but I think its a shame to need to mod vintage gear. 
These relics are getting harder to find as the years go by and in the future, the ones that will
retain their value will be those in original condition.

So from a practical level, get an original to admire & treasure and build the clone to 
mod to your hearts content.


Links:


I'll install the trigger conditioning circuit.... connected to TRIG_IN1 connector.
This allows you to connect 5V triggers that last longer than 10ms





The build looks easy. all through hole with standard parts that i probably already have in my store.


Resistors first.

Caps 


fairly straight forward build so far.

D1 1N4001 Rectifier diode
D2, D3, D4, D5, D6, D7, D8, D9 1N4148 or 1N914
D1 is a larger 1N4001
rectifier diode that provides polarity protection for the power input, but all the others can be general purpose
small signal diodes such as 1N4148's or 1N914'




Jumper wires:
The jumper wires at J3-J7 connect the output of each voice circuit to the main mix bus.
These links are designed as 
jumpers for easy mods to provide individual outputs, but at this point it would probably be better to just install 
them. You can always change things at a later date.


the voltage regulators and transistors. 

REG1 is a 78L06 regulator that supplies the 6v power to the 
voice circuits. REG2 is a 78L09 that supplies 9v to the trigger conditioning circuit
ebay ... ordered



There is just one IC
IC1 - LM324 Quad opamp



T1, T2, T3, T4, T5, T6, T7, T8, T9, T10 2SC945 Or similar transistor
Its a  Bipolar (BJT)

"T1 to T10 are general purpose NPN transistors. Roland/Boss used 2SC945's is virtually everything they produced 
during this era, so this is what we've specified here, but you could probably get away with using any number of 
transistors with similar specs. We haven't actually tried it, but we would imagine it'd also work fine with the 
common 2N3904 or 2SC1815"

I'll use 2n3904s

-----------------------------

Q1 in the accent circuit should be a JFET transistor with a DSG pinout. A few different types will fit here. We've
tried the J201, MPF102 and 2N5457, and they all seem to work okay.

I installed a J201

------------------------
L1 --- 47mH inductor Original DR55 uses 45mH **
mouser







Saturday, 17 February 2024

Boss DR -55 drum machine

I've been revisiting an old fav drum machine of mine - The Boss DR-55 Dr. Rhythm.
(Mainly as it's awesome for triggering the arp of a Roland JP 4).
This classic drum machine produced by Roland Corporation has been in my collection for decades.
It was I think one of the first I ever owned.


The Dr55 was sold under Roland's guitar pedal Boss brand. 
Introduced in 1979/80, it quickly gained popularity due to its affordability, portability, and ease of use. 

You can still find these on Ebay quite cheaply. They haven't yet undergone 808/909 price inflation.

The DR-55 was one of the earliest programmable drum machines available to musicians and became a staple in many home studios and electronic music setups.
It was one of the first step-write-style drum machines, and it was the first rhythm machine in BOSS' successful Dr. Rhythm Series. 
It inherited much of its sounds DNA (an appearance) from the CR 68 & 78 drum machines.

I love this machine so much as it highly portable and sounds great ....suitable for both studio and live use

The FS-1 jack is for a footswitch. It's an input.



Connecting a (latching footswitch) such as the Boss FS-1 will make it possible to start/stop the DR-55 remotely, when in PLAY mode.








The DR-55 features 4 analog drum sounds:
kick (BD), snare(SD), rimshot(RS), hi-hats. 
You can globally adjust the master Volume, master Tempo, master Tone and master Accent for the drum sounds.


Only the BD, SD, and RS can be programmed.
The HH has a switch to select between OFF, 8th, 16th/12th preset pattern
These sounds are generated by analog circuits, giving them a warm and characteristic tone.


Accent Function: 
Accents can be programmed.
You can globally adjust the accent volume.
This feature allows users to emphasize certain beats within a pattern, adding dynamics and variation to the rhythms.





Users can program their own drum patterns using the DR-55's step sequencer. 

There are 8 memory slots to store up to 8 patterns:
This is divided into 
a. six different 16 step drum patterns (4/4 rhythms) b. two 12-step patterns (3/4 and 6/8 rhythms). 

In each memory slot you can record 2 variations : 
A or B.
These is a switch to select either variation in rec or playback modes.


The centre variation switch position (AB) records and plays both A & B variations consecutively.



















To Program:
1. set switch to WRITE mode.
2. select a drum sound to program.
3. Steps are entered with the start button. 
    Rests are entered with the stop button.
4. The beginning of a pattern is indicated when the RED LED 
     lights up.
5. Pattern playback is enabled by setting the switch to PLAY mode and pressing START.

Jacks:
Audio Output: 
Unbalanced 1/4 inch.
 Note that a cord must be connected to 
 this jack for the drum to be turned on.
 This is like many of BOSS's 
 guitar effects pedals

Foot switch 1/4 inch input - use with a FS-1 pedal. (Like with the Roland CR 78).

DBS : outputs a pulse for each step. (+5v, 8ms) ... use to drive the arp on a Roland Jupiter 4






CSQ: outputs a pulse for each accented step. (+4v, 10ms)... use o drive a CSQ-100/600 sequencer
      
When this jack is used, accents no longer occur in the programmed rhythm patterns.










It can also be connected to the Roland modular System 100M.




It runs on 6V DC (four AA batteries













I purchased a new 6V battery holder on Ebay. I have two DR 55s and both had a broken battery holder
when I initially bought them.
These are made of really weak plastic which will definitely break one day. So buy a few as backups.



While the DR-55 lacks some of the advanced features found in later drum machines, its simplicity and iconic sound have contributed to its enduring popularity among musicians, particularly in genres like electronic, synth-pop, and new wave. Despite being over four decades old, the Boss DR-55 continues to be sought after by vintage gear enthusiasts and remains an important piece of music technology history.


Links

I'm in two minds about modding the drum. But here are some links if you're up to vandalising a piece of music history :-)
I think simple mods like external clocking & adding a DC input (to eliminate batteries) are harmless.

+ Dr 55 mods

There are also plenty of modern clones of this machine, which have all the bells and whistles ... so maybe leave the original alone and buy a clone to mod to your heart's content.

Clones
The circuitbenders.co.uk CB55 is an exact clone of the voice board of the Boss DR55 drum machine. It has the four fully analogue percussion sounds, bass drum, hat, snare, and rimshot, but leaves out the clunky and arguably useless sequencer. There is also an overall accent feature that adds a little extra punch to the whole mix when it is triggered.