Showing posts with label Cobramatic. Show all posts
Showing posts with label Cobramatic. Show all posts

Thursday, 17 February 2022

Allinaire Jondent - HARD MOOG

....

Some '4 on the floor' from Moog featuring the DFAM, Subharmonicon and Matriarch.
About 95% of the track is all MOOG goodness (with some additional percussion and processing in Ableton). A collaboration between Allinaire and Jondent, put together from 2 live jams in Sydney and Wollongong during Feb 2022...

Allinaire's Bandcamp

Jondent's Bandcamp:

Thursday, 27 December 2018

Plumbutter 2 - repairing faulty jacks

Hi, this is a quick reference to a post made back in 2016 by my mate Paul (Cobramatic/Allinaire).
https://www.muffwiggler.com/forum/viewtopic.php?t=169993 

I first experienced Paul's Plumbutter back in 2016. Here is the link:
https://djjondent.blogspot.com/2016/06/new-sound-waves-synth-meet-sunday-26.html
It was a New Sound Waves meeting in Redfern Sydney 

Here is a video from that meeting:


The mixer is a zone DB4.
Excellent effects !!!!
As you can see, this is one of the rare dual Plumbutter 2's
I love the Ciat Lonbarde concept... beautiful is somewhat mysterious. But this is part of its beauty.


Back to the repair.
two jacks ... actually many of the jacks wern't working.
Much of the initial prob was that the mysterious nature makes it difficult to know if the prob is technicial or a user error.

this is part of the muffs article:

"Hi All, I’m relatively new to the Plumbutter world but I wanted to share my initial experience with others because the simple repair work I did this weekend has just brought a whole new life to my PB2.

Basically, like everybody else, it takes some time to figure out what is happening when you are patching. I mean the instrument is well known for its unpredictability compared to so called ’traditional’ synths – this is clearly part of its charm and appeal. I totally get that. That’s why you get one!

Tricky thing is – when an instrument is known for its quirkiness then how do you know something is actually working as it is intended to?? I mean, other than reading all the posts and watching some of those amazing videos by many of the Wigglers here, I had no clue to start with. Then as I started to understand I wondered why some things didn’t do what I might have hoped they would...

For example – you would expect those purple FM inputs to give you some type of FM modulation when a jack is plugged in – but because the knob already changes the sound on its own, and differently depending on the direction of turn, I couldn’t be sure I was getting a result. Basically I wasn’t getting a result!"



Rollz – I knew I should be able to mix things up with the browns to effect the rhythms if I connected them together – but for me several of them did nothing when connected. Blue Verso and Inverso jacks – ditto there, some of them seemed to do nothing no matter how hard I tried with them

For a while I thought it was me, then I noticed that some jacks responded if I wiggled them juuuust right, or pushed the nana in part way only. So finally I decided to take things apart and have a look. 


 It is very easy on the PB2 to unscrew all the front screws and then just pop out the front section and PCB from the base to reveal the board in all its glory. If you look at the picture here you can see that the soldering looks fine on the Jack I'm pointing to - Nope, actually there is no electrical connection. The reality is I had at least 8 (yes EIGHT !!) jacks that were not connecting properly thru to the PCB ring around each hole. Presumably a cold or cracked joint? 






 I pulled out the multimeter and soldering iron and tested every one and resoldered the faulty jacks – it was easy as pie to do. Put it all back together and it works like a dream come true – suddenly things work like I wanted them too. 


Motto of the story – if you are having any of the problems I described, or if any of your in's or out's don't seem to respond - then don’t be afraid to pop it open and fix it yourself. I can’t believe how much more fun I’m having now.





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I dont personally own a ciat lonbarde but am considering getting one soon.
The Tetrax looks like a good entry point;




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Links
Ciat-Lonbarde
Plumbutter Manual
Plumbutter - C-L
Muffs
mUFFS 2
Ciat Lonbarde - Paper Circuits
Plumbutter test procedure - from the great man himself (Peter B)

Wednesday, 15 August 2018

New Sound Waves - Meeting Sunday 12th Aug

This meeting was held at Monster Mouse Studio
in Marrickville.

 https://www.facebook.com/newsoundwaves/

 I love Serge !




 Lots of fun.
 Eurorack, Serge, Foltek, Its all awesome


We will try to held this on a regular basis so please come along to the next one.




Ilya almost stole the show with his LZX Cyclops


The module controls  Lazer .
There are 5 CV inputs -- Xaxis, Y axis & Red, Green & Blue.
https://www.muffwiggler.com/forum/viewtopic.php?t=167664&sid=40ee8423831cca3fc2cff8bfe55ce5f6

https://www.lzxindustries.net//shop/product/lzxilda-cyclops-2189



Saturday, 10 February 2018

Make Noise 0-Coast

More west coast I think.

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Its a no brainer is you need something serge or buchla like in a small format.



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Some initial patches with a Korg SQ-1


Sat arvo Jam - 10th Jan 2017

A great way to spend a Sat arvo with Paul (aka Cobramatic) ,
Messing around with some euro mainly today.   ....and a video synth and a the Makenoise 0-coast.

Paul showed me some great new modules .. two by Intellijel... the Rain maker & Plonk.
These are both digital.

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The Rainmaker.... it a deep complex digital sound processor that can create resonant sounds that go into the "pseudo physical modelling territory". loads of precets.
Its much more than just a delay.
It has 16 taps, each with has its own resonant filter (LP/BP/HP) and granular pitch shifter.
In addition to being able to save the type of filter at each step, you can set resonance & cutoff frequency.
They can even self oscillate . The pitch shifter has a range of +15 semitones to -16 semitones.





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Plonk.
You can probably view this as a drum module that specialises in making percussive sounds... natural and unnatural. I've never really been into digital, but i was impressed with this one. i´m absolutely in no doubt that the Plonk will pair VERY well with a Rings.
The Plonk definitely emits very realistic sounds of the mediums it tries to emulate but it's capable of some very alien sounds too!


It's not a samplier, it uses physical modelling. A microprocessor calculates the type of sound that is produced ...depending on the characteristics of the membrane (called the resonator) and the percussion device (the exciter). 

So its uses mathematical modelling.
Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.
There are 2 types of percussion devices: a mallet and a noise source.

There are 128 user preset slots with import/export via USB. These come filled with factory presets designed by Richard Devine and AAS.

 --------------------

The video synth I tested yesterday ia the new Vidiot by LZX.
It arrived only Friday so I did the big unboxing yesterday.

Here are some quick videos to show you what we came up with in just one arvo.
Lots of variation. I think its a great synth and a good way to begin your journey if you are new to video synths.
Even if you have a big LZX system, I think this is still useful as its size makes it perfect for live gigs.



Sunday, 24 September 2017

Sat Arvo Jam

Hanging out with my friend Paul. Aka Cobramatic.
Lots of cool toys. Especially loved the Serge.

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Some nice patches here:

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This second one is very Krell like.
That TKB sequencer/keyboard is wonderful.


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I also loved the Ciat Lombard Tetrax
It's now on my shopping list.
http://www.ciat-lonbarde.net/tetrax/index.html


Sunday, 12 February 2017

Double Knot - Synth

Thanks Cobramatic for showing me your new synth.
The Double Knot

...

It's very west coast. Uses Bananas for the internal patching.
http://lorre-mill.com/doubleknot/

Lots of great percussion.

Saturday, 13 August 2016

Sat Jam - Buchla-R Format

This jam is some of our preparation for an upcoming concert (Sat 17th Sept) being held
by New Sound Waves.

Paul (Cobramatic) & I are planning to use a Buchla Music Easel & some Roman & MP Buchla format modules.
This section is just of the Buchla format stuff.
Modules used: 212r (Dodecca), 259r, 248r, 158p, 144p, 205r, 295r, 206r.

..

212r, 205r mixer, 295r filter, 144p VCO.


158p VCO


Strymon Reverb & Delay

Thursday, 12 May 2016

Buchla - Wall of Sound

Having some fun with Paul's new super easel & a small 12U buchla.
The MARF is really cool.


Working on some drones.

....


 Really loving the 294 all over again. Such a under-rated module.



Some more pics of Paul's amazing easel.




A great drop from 1995.
The name “Barwang” means “place of water”. The winery is situated in the Hilltops region of New South Wales. The water source is a natural aquifer about 300m below the surface.
http://mcwilliams.com.au/our-wine/regionality/hilltops/
Am amazed at this wine's staying power. It's 21 years old. I wish I had a few more bottles left.
It's the last one I have from this case I think :-(



Saturday, 26 March 2016

Monday, 25 January 2016

Metro - Cobramatic remix

Some Buchla & Euro sounds.

Enjoy
This new track features the random out custom mod to Mutable Instruments 'Grids' module. Grids plays some of the TipTop module drums and the random out triggers the bass synth gate played by a Verbos Buchla format 262v Harmonic Oscillator.
There is a Intellijel Metropolis sequencing the lead line. An additional sequencer line comes from the Buchla 208.
Everything is remixed in Ableton Live.

Saturday, 16 January 2016

Korg Volca Beats - A Modding, Circuit bending & Hackers Guide

The Korg Volca Beats is an awesome drum machine which can only be made better with the help
of some mods and a bit of hacking. There are quite a few mods out there already so we (Cobramatic & I)
decided to have a go at ours. I'd particularly like to thank Instructables & Darren Glen.
I've placed links to all theirs ideas at the bottom of this post.

Disclaimer

The actions described in this post will void your warranty and may damage your equipment. I take no responsibility for your soldering ability or actions.


This blog posting covers the obvious improvements like the snare, adding midi & getting individual outs for each voice.Plus there is a bit of circuit bending. If you have discovered any new mods please let me know.
I'd be happy to put a link to your page in this post.
First remove the battery compartment, then detach the two PCBs from one another.

This is the top PCB board.
Notice the rather tiny SMD components.
You will need a magnifier, a good light and as fine a point tip as you can find, as well as very thin solder. 
The mods are in the lower right corner.

Of course just opening this box will void your warranty. So only do this if you are confident you can solder onto SMD components.
This is a closeup of the first mod. It's replacing a missing capacitor.
This involves soldering a capacitor across these two points. I chose to solder leads first then attach the cap.
I used a 104 ceramic. ... 0.1 uF (5mm pitch)
Once you have done this it's a good idea to secure the leads with electrical tape or glue stick to the board. I found this out the hard way as after I was done I decided to try my hand at a bit of circuit bending and in doing so inadvertently undid all my work.

And a good bottle of Red will do wonders if you need extra help to steady your nerves.
Today I'm using a Taylors Red. This is a lovely 2001 drop from the Clare Valley of South Australia.
http://www.taylorswines.com.au/

Thus the second mod point was tried. This involves soldering a capacitor across a resistor.

I wanted to test if varying the capacitor size would affect the sound. Yes it does !!!
The interesting ones were 105 & 104s.
My idea was to use a SPDT switch to access both sounds.
From another angle.
At this point secure your leads with tape or glue.
Don't do as I did and leave them to float.
All these tests will put strain on your solder joints and lead to tears.
To make matters worse when the second mod failed the solder came off along with a resistor which now meant I have to replace both caps and at least one resistor.  :-(

This is what I should have done from the beginning. Glue stick rules !!
These accidents happen for a reason. In accidently removing the resistor we were forced to test replacements. I decided to replace the 1k SMD resistor with a 100k linear pot.
Now its time to drill holes into the front panel and install switches, pots and the midi out socket.

This is the ideal drill for that midi socket. It reminds me of the "Mole" from Thunderbirds.

The panel is quite strange. It's metal over plastic
.Nice!

Next the Midi out jack:
Just 3 connections are required. These are labeled VD, GND and TX.
 This gives a 16 step sequencer, which can trigger 10 sounds over MIDI, with adjustable tempo.
This pic is from Paul's drum which has a different mod - more circuit bending. However, the midi connections are no different from mine.

Next individual drum outs


Paul's mod is slightly different to mine and uses switches rather than pots to allow quicker swapping between sounds.
Useful Links.
+ Instructables
+ Darren Glen - Snare Mod hack
+ Circuit Surgeon
+ Utopian Labs - Midi Mod
+ Muffs - Cobramatic lament  - My Mod BLEW UP!!!! – Please give me some love (A Novel)
+ Muffs - Volca Skiff
+ Muffs - Volca beats PSU for Euro
+ Muffs - Volca BeatsE