Showing posts with label subharmonicon. Show all posts
Showing posts with label subharmonicon. Show all posts

Thursday, 17 February 2022

Allinaire Jondent - HARD MOOG

....

Some '4 on the floor' from Moog featuring the DFAM, Subharmonicon and Matriarch.
About 95% of the track is all MOOG goodness (with some additional percussion and processing in Ableton). A collaboration between Allinaire and Jondent, put together from 2 live jams in Sydney and Wollongong during Feb 2022...

Allinaire's Bandcamp

Jondent's Bandcamp:

Thursday, 10 February 2022

Thursday, 13 January 2022

Tycho's Nova - SubHar & DFAM 12

 Some patch notes
This will be released on my 3rd album - Pursuit of Harmony. 

Tycho's Nova
 
I clocked this from abelton using the touchprone MIDI to clock (settiing 8)
Album 3
 


 

Monday, 10 January 2022

Moog sub harm & DFAM 10

...

Night Owl Patch

This will be released on my 3rd album - Pursuit of Harmony.

 TRIGGER out of the DFAM ----> Clock in from the SUB H 
This is the sync. The DFAM is master.

This is a interesting patch as adjusting the VCA envelopes on either synth will
have an effect on the other synth.
DFAM VCA EG Out to Subharmonicon Cutoff In
DFAM Pitch out to Sub VCA in 
 
The Trigger from the DFAM effects the PWM of VCO1 

Moog General

Moog - Mother 32/ DFAM/ SubHarmonicon
+ Moog Mother 32 - set up mode - assignable output, midi channel, tempo input settings
+ Moog sub harm & DFAM 10 ..... live jam with patch notes


Moog Modular
+ 901 VCO

Thursday, 1 July 2021

Moog Subharmonicon - patches A

 Some beginner patches with the Moog Subharmonicon.
These are from the manual.
 


It's a really enjoyable synth, with lots of surprises.
 

Patch 1  called Aquatic Chords connects 
seq 1 to the filter cutoff &
clock out to trigger in.
 
Turn off the EG
 
 
---------------------------------------
 
Patch 2 called Mellow Harmonies 
This is almost identical to patch 1.
 

It connects
seq 1 CV out to the filter cutoff &
seq 1 clock out to trigger in.
 
Turn off the EG
 
 
 ---------------------------------------------------------
 


Saturday, 26 June 2021

Moog SubHarmonicon & Korg Volca Beats

 I only recently purchased the Moog Subharmonicon and have 
been testing it with various other synths & drum machines.
 
 
I don't have a DFAM, but the old trusty Korg Volca Beats seems to sync ok, and sounds fine. The Volca is supplying the master clock.

Ive added a bit of reverb care of a Strymon BlueSky/
 
The Polyrhythms are quite inspirational. 
You can create melodies and rhythms that I don't think I could easily do
with a conventional sequencer.
But you need to play with them for a while .
...... gems suddenly appear.
 
I find that  trying to recreate the sound later is tricky. So if you stumble across a good patch just record it.
 


Monday, 10 May 2021

Moog Subharmonicon - Short patch examples

 Fake LFO
The Sub H doesnt have a dedicated LFO
So set the clock to retrigger the envelope 
 
Now the envelopes work independently,.
and have independent attack /decay.
Set a slow VCF filter attack & a Fast VCA filter attack for example.
 
-----------------------------------------------------
Use the Sequencer on filters, VCAs etc
You can use the filter to add extra movement and life to anything that will take a control voltage

Here we are patching the output of seq 1 to the filter cutoff and seq 2 to the VCA


----------------------------------------------------------------

Using the Envelope Generator outputs.
The Sub H has two EGs which are a great source of CVs (in addition to the two sequencers).
You can patch these to external synths like a DFAM (its filter cutoff for example) or use then internally

Here one EG is patched to Rhythm generator 1
and the other to rhythm gen 3
Now the speeds of the sequencers are envelope controlled.
Really any CV can be patched into these rhythm inputs.
You essentially have voltage control of the 4 clock dividers  

-----------------------------------------------------------------------------

Making longer sequences.
The SubH has just two 4 step sequencers, but its possible to combine them to
make longer sequences.
 
Here we direct both sequencers to oscillator 1
Sequencer 1 feeds the main VCO 1
Seq 2 feeds the 1st harmonic of VCO 1
Make sure the sequencers run at different speeds.

-------------------------------------------------------------------------------
Moog General

Moog - Mother 32/ DFAM/ SubHarmonicon
+ Moog Mother 32 - set up mode - assignable output, midi channel, tempo input settings
+ Moog sub harm & DFAM 10 ..... live jam with patch notes


Moog Modular
+ 901 VCO


Thursday, 24 March 2016

Midi - 3.5mm

There are 2 standards of the traditional MIDI connector to TRS (Tip-Ring-Sleeve) cable.
Both standards use pins 2, 5 & 4 of the DIN connector. 
(female DIN to male TRS)
These are called Type A & Type B.
One extra connector type uses a mono minijack.
This is referred to as Non-TRS, TS, or sometimes Type C


TRS Midi A

Korg (Electribe 2 and SQ-1, SQ-64, NTs-1), Little Bits, Make Noise (O-coast), Moog Subharmonicon, Line 6 MIDI Mobilizer, AKAI (force, MPC Touch), Critter & Guitari Organelle M,  IK Multimedia (iRig), Roland T-8, J-6,E-4 , Twisted Electrons (Acid8 MKII, TherapSid MKII), Westlicht Performer,
Teenage Engineering (OP-Z with oplab, Pocket Modular 16), SQUARP (Rample), Dirtywave (M8),
Dreadbox ( Lil’ Erebus), Intellijel (the MIDI breakout for their palette cases)
use TRS MIDI A.

The DIN schematic above is of a female type... like the pic on the right

tip to pin #5
ring to pin #4
sleeve (earth/ground/shield) to pin #2

This particular configuration makes it easy for connection between a Make-Noise O-Coast & the Korg SQ-1 for example.
You only need a 3.5mm stereo jack to connect them to each other.




---------------------------------------------------------------------------------------------------------

TRS MIDI B

Arturia (e.g. Beatstep Pro and Keystep, Microfreak) and early Novation (e.g. Circuit, Circuit MonoStation and Launchpad Pro) , Music1010 (MX4, blackbox, bitbox, synthbox), EOWAVE (Quadrantid Swarm), 
Flame (Quad CV Recorder, µQMCV), Pittsburgh Modular (Liveforms SV-1),
Analogue Solutions (Treadstone), Polyend's Tracker, Erica Synths Drum Sequencer & Future Retro (MIDI BUS), Malekko (SYNC), Faderfox SC4 & PC4, Five 12 Vector sequencer, Twisted Electrons (Crazy8) use the alternate ‘TRS MIDI B 

Note: Later Novation products like the Launchkey Mini (mk3) and  Launchpad Pro (mk3) use type A.
tip to pin #4
ring to pin #5
sleeve (earth/ground/shield) to pin #2

This particular configuration makes it easy for connection between a Arturia BeatStep Pro & the Music 1010 Synthbox for example.
You only need a 3.5mm stereo jack to connect them to each other.

==============================
To complicate things a bit more the Arturia beatstep pro uses another trs-din cable for the sync/clock adapter. It's got a black 3.5mm plug.
Don't mix this with the midi cable which is grey.


tip to pin #3
ring to pin #1
sleeve (earth/ground/sink) to pin #2
------------------------------------------------------------------------------------
Some modules such as
ALM/Busy Circuits, Shakmat Modular, Elektron (Samples) and Michigan Synth works (MSW)
support both A & B standards.
 
The 3.5mm jack can be switched between differing 3.5mm MIDI configurations 
by reversing the jack connector on the rear of the module.”
 
On the MSW  mBrane for example,
“Rev1.1 of the device … features PSImidi which allows ANY type of TRS MIDI cable to 
be used on the input.”

---------------------------------------------------------------------------------------- 

Type C

Also referred to as TS and Non-TRS
Expert sleepers (DJ1000, ES-5, ESX-8GT), Beatstep (original), MFB (Nanozwerg pro & SEQ-01 Pro)
 
This connects using just two points: Tip & Sleeve.
The tip connects to pin 4 of the midi DIN 
The Sleeve connects to pin 5 of the DIN. (sink or earth)
 

Links
+ Midi association