Showing posts with label Roland 100m. Show all posts
Showing posts with label Roland 100m. Show all posts

Saturday, 17 February 2024

Boss DR -55 drum machine

I've been revisiting an old fav drum machine of mine - The Boss DR-55 Dr. Rhythm.
(Mainly as it's awesome for triggering the arp of a Roland JP 4).
This classic drum machine produced by Roland Corporation has been in my collection for decades.
It was I think one of the first I ever owned.


The Dr55 was sold under Roland's guitar pedal Boss brand. 
Introduced in 1979/80, it quickly gained popularity due to its affordability, portability, and ease of use. 

You can still find these on Ebay quite cheaply. They haven't yet undergone 808/909 price inflation.

The DR-55 was one of the earliest programmable drum machines available to musicians and became a staple in many home studios and electronic music setups.
It was one of the first step-write-style drum machines, and it was the first rhythm machine in BOSS' successful Dr. Rhythm Series. 
It inherited much of its sounds DNA (an appearance) from the CR 68 & 78 drum machines.

I love this machine so much as it highly portable and sounds great ....suitable for both studio and live use

The FS-1 jack is for a footswitch. It's an input.



Connecting a (latching footswitch) such as the Boss FS-1 will make it possible to start/stop the DR-55 remotely, when in PLAY mode.








The DR-55 features 4 analog drum sounds:
kick (BD), snare(SD), rimshot(RS), hi-hats. 
You can globally adjust the master Volume, master Tempo, master Tone and master Accent for the drum sounds.


Only the BD, SD, and RS can be programmed.
The HH has a switch to select between OFF, 8th, 16th/12th preset pattern
These sounds are generated by analog circuits, giving them a warm and characteristic tone.


Accent Function: 
Accents can be programmed.
You can globally adjust the accent volume.
This feature allows users to emphasize certain beats within a pattern, adding dynamics and variation to the rhythms.





Users can program their own drum patterns using the DR-55's step sequencer. 

There are 8 memory slots to store up to 8 patterns:
This is divided into 
a. six different 16 step drum patterns (4/4 rhythms) b. two 12-step patterns (3/4 and 6/8 rhythms). 

In each memory slot you can record 2 variations : 
A or B.
These is a switch to select either variation in rec or playback modes.


The centre variation switch position (AB) records and plays both A & B variations consecutively.



















To Program:
1. set switch to WRITE mode.
2. select a drum sound to program.
3. Steps are entered with the start button. 
    Rests are entered with the stop button.
4. The beginning of a pattern is indicated when the RED LED 
     lights up.
5. Pattern playback is enabled by setting the switch to PLAY mode and pressing START.

Jacks:
Audio Output: 
Unbalanced 1/4 inch.
 Note that a cord must be connected to 
 this jack for the drum to be turned on.
 This is like many of BOSS's 
 guitar effects pedals

Foot switch 1/4 inch input - use with a FS-1 pedal. (Like with the Roland CR 78).

DBS : outputs a pulse for each step. (+5v, 8ms) ... use to drive the arp on a Roland Jupiter 4






CSQ: outputs a pulse for each accented step. (+4v, 10ms)... use o drive a CSQ-100/600 sequencer
      
When this jack is used, accents no longer occur in the programmed rhythm patterns.










It can also be connected to the Roland modular System 100M.




It runs on 6V DC (four AA batteries













I purchased a new 6V battery holder on Ebay. I have two DR 55s and both had a broken battery holder
when I initially bought them.
These are made of really weak plastic which will definitely break one day. So buy a few as backups.



While the DR-55 lacks some of the advanced features found in later drum machines, its simplicity and iconic sound have contributed to its enduring popularity among musicians, particularly in genres like electronic, synth-pop, and new wave. Despite being over four decades old, the Boss DR-55 continues to be sought after by vintage gear enthusiasts and remains an important piece of music technology history.


Links

I'm in two minds about modding the drum. But here are some links if you're up to vandalising a piece of music history :-)
I think simple mods like external clocking & adding a DC input (to eliminate batteries) are harmless.

+ Dr 55 mods

There are also plenty of modern clones of this machine, which have all the bells and whistles ... so maybe leave the original alone and buy a clone to mod to your heart's content.

Clones
The circuitbenders.co.uk CB55 is an exact clone of the voice board of the Boss DR55 drum machine. It has the four fully analogue percussion sounds, bass drum, hat, snare, and rimshot, but leaves out the clunky and arguably useless sequencer. There is also an overall accent feature that adds a little extra punch to the whole mix when it is triggered.

Thursday, 3 June 2021

Roland Index

 All my Roland related links here:

Drum Machines (General)

+ Roland 100m 

Roland MKS series

Roland SH series
 
TR-606

+TB 303
       + Intro & Setting up
       + Pattern write
       + Track Write

+ TR 707 / 727 Drum
           + Roland Tr 707 - pattern play
           + Happy 707 day  
           + Happy TR-727 day
 
+ TR 8 Drum
 
+ TR 808 Drum 
           + Repairing a Roland TR-808 - Part 1 - Opening the Machine           


+ TR 909 Drum
        + Roland TR 909 Programming Tutorial - getting started
        + Roland TR 909 - How to Program
        + Roland Tr 909 - Drum Mapping & Midi triggering

+ SE-02 (Studio Electronics / Roland)
       + Filter/Amp envelope
 
+ Junos 
 
+ MX-1 Performance Mixer

+ PSU
    + BOSS PSA Psu

  D-50

Misc

Thursday, 12 September 2019

Manuals

Personal notes & manuals

 

Abelton Live
 
Access Virus
+ Access Virus -The different versions 
Akai

Alesis


Arturia


Buchla
+ MARF
+ 222e
 + 225e
      *My notes re the 225e 
+ 250e
      * My notes on the 250e
+251e
       *  My notes on the 251e
+ 252e
      * Notes on the 252e
+ 261e
       * Notes on the 261e VCO
+ 266e
       * Notes on the 266e
 + 200e Firmware upgrade 

Coffee


Compressors
+ Modular Compressor -using eurorack modules 

Chords/ scales
Basic Chords for synths - C, F, G, A minor.
+ Basic Chord theory - major chords & their progressions



DaFM Synth
+ My notes on the DAFAM

Deluge (Synthstrom Audible)
 + Arranger View - deluge
 + Song View - Basic
 + Isomorphic Keyboard
 + Resampling - How to Record your performance
 + Basic Freeform Looping & Sampling of Audio
 + Precise Looping & Sampling 1 (Metronome)
 + Precise Looping & Sampling 2 - using a recorded drum kit 
 + Clip view - Sampling - adjusting the end point of a loop 
 + Clip View - basic controls 
 + Loading samples - Browse shortcut - waveform view
 + Loading Single Cycle Wave Forms (to use as oscillators) 
 + Kit section - drums
 + Deluge Scales
 + Effects - Chorus Flanger Phaser (Mod FX)
 + Effects - Filters & EQ
 + Effects - Distortion 
 + Effects - Reverb
 + Effects - DELAy
 + Parameter Automation
 + Sound design - making acid /303 sounds
 + Sound design - Grid shortcuts
 + Deluge - factory reset 

Elektron
  + Digitakt & Korg Volca FM - patch notes sending / receiving CC messages


 Eurorack
+ Endorphin.es
        + Shuttle Control  
+ Expert Sleepers 
        + Expert Sleepers - FH-1 - MIDI Note On/off 


+ Fairlight


GenoQs Octopus
 
Herbs & Stone
+ Liquid foam - instructions (personal)
 
Keith McMillen
 
Kenton

MakeNoise - 0-Coast/Control
 
 
 MaxMSP
 
 
Misc
+ Philosophy index 


Moog General

Moog - Mother 32/ DFAM/ SubHarmonicon
+ Moog Mother 32 - set up mode - assignable output, midi channel, tempo input settings
+ Moog sub harm & DFAM 10 ..... live jam with patch notes


Moog Modular
+ 901 VCO


Oberheim
 
Philosophy
+ Philosophy index

Pioneer
 +Toraz Squid
        + 1. The different modes
        + 2. Randomiser
        + 3. Projects 
        + 5. Pattern Set - Song Mode
 
        + Linn Drum - Cooper Midi 
 
PolyEnd
 
 
Polyfusion


Python 
+ Python for beginners
+ Python for Beginners 2


Roland

+ All my Roland Synth pages can be found here


Snazzy Effects
 
Synton (Fenix)
 
Teenage Engineering
    OP-Z
   KO II
 
XOR



Zoom

Thursday, 19 July 2018

Audio Equalizers

Equalization is a fundamental processes in music production. 
Every music producer should have various types of EQ in their arsenal.
These may be studio based or can be used in live performance rigs.
 
Equalizers are basically filters. They influence the volume of audio at specified frequencies.
Note that the audible frequency spectrum range lies between 20Hz and 20KHz.
There are many types of EQ. The most common are:
parametric, dynamic, graphic, and shelving.
 

Parametric Equalizers



Parametric EQs are the most common and I think the most flexible.
They take many shapes and forms. They can be a digital software plugin, can be part of a mixing console, or be a hardware device.

Parametric EQs all have common controls.
Frequency, Resonance or bandwidth (Q) , Gain, Filter type, Filter Slope.
 
 
(the left pic is of Abelton's EQ8)



Dynamic

These combine an equalizer with a compressor.
They can cut or boost frequencies depending on the amplitude of the signal at its input.
A traditional EQ is static. Dynamic EQ combines equalization with selective compression/expansion and sidechain triggers. It kicks in only when the signal you’re EQing goes above certain threshold which you pick. 
 

Graphic Equalizers

These boost or attenuate a range of fixed frequencies using a bank of evenly spaced slider controls.
You can have up to 31 of these. The more sliders, the more accurate they are.
However, the frequencies are fixed and you have no control over the filter shape or bandwidth.

Shelving Equalizers.

These are very basic EQs which  boost or attenuate frequencies above or below a specified cutoff point.
Most shelving equalizers have high and low shelving filters like in the Shelves module below.
 

Filter types & Slope:

The most common types are Bell, Bandpass, notch, High Shelf & Low Shelf.
We can also add High Cut & Low Cut to this list.
Abelton's EQ 8 is a great equalizer and a great way to explore these filter types.
 
EQ 8 has 8 parametric filters. Each filter can be one of 8 types.
 
This is a low cut or high pass filter
It passes all high frequencies above the cutoff point.
It's x4 meaning it is 4 pole
 
 
 
 
 
 
 
 
 
This is another low cut / HP filter
It has a gentiler slope than the previous one.
 
Use a low cut filter to remove low frequencies or automate the frequency to create sweeping effects.
 







This is a high cut filter. Also known as a Low Pass.
it passes all low frequencies below the cutoff point.
It's fun to automate the frequency to create sweeping effects.

 







This is another LP filter (or high cut)

The 4X indicates a Steeper slope than the previous filter.









This is a Notch filter. Also sometimes referred to as a Band Stop.

It attenuates and removes a range of frequencies around a specified
center frequency point. It will pass all the other frequencies unaltered.
Modulating notch filters creates interesting shaping effects.
It's the opposite of a bandpass filter.







This is a bandpass filter.
This has been made using a LP & HP filter. 
Low and high frequencies outside the range are attenuated or cut..
Multiband equalizers often use multiple band pass filters to divide the audio spectrum into sections.



Here we have two bell filters. They are also known as peak filters. Use them to boost or reduce a range of frequencies with precision. 
The bandwidth/resonance (Q) sets the width of the bell curve.
 
 
 

These are two shelf filters 
On the left is a left shelf.
On the right we have a right shelf filter.
These are useful for boosting or reducing certain frequencies without totally cutting them out as you would have if you used a LP/HP filter combo.
 
 
You can make the filter slope less steep by dragging down the Q knob, or do the opposite by reducing gain.
------------------------------------------------------
Enough theory.

Here are some of my favorite Equalizers
 
The Cwejman VCEQ-3
 This is in Eurorack format.
The vceq-3 consists of 3 individual parametric equalizers.
 
 the frequency, bandwidth and amplitude can be controlled by dedicated knobs and/or by external signals, individually for each band.
 

















Serge Resonant Equalizer CGS
Serge Resonant EQ/Filter - Euro format (CGS 202)
 
 It's a a comb filter based module. There is no CV control, but it has 10 bands of frequency to mix. The frequencies are fixed. It's closer to a Graphic Equalizer in design.

There is no control over the filter shape and bandwidth of each band. 


Below is a pic of a vintage Serge Res equaliser.
 
It's the 3rd module from the left. It's very compact in comparison to the Euro version and doesn't have
the extra outs from the 10 filter bands. And pot's are used instead for sliders.
 
 

 

Roland 100m 174 module
 
It's a really simple but beautiful module. 
The 4 channel EQ  has  independent level, bandwidth and frequency controls that span a wide frequency spectrum from 20 Hz all the way up to 20 kHz. 
 
Using the two outputs of this section, you can then patch signals to two different modules for some extra modulation and waveform sculpting possibilities and even switch between EQ’d and Bypass modes for a quick comparison.
 
 
 
 
 
 
 
 
 
 
 
 
 

Mutable Instruments Shelves
4 Channels.
It's a mix of  low-shelf, high-shelf, and parametric sections.
All share the same control ranges and scales
 
All channels have frequency & gain controls.
The middle two channels have resonance (q) controls.
These are the parametric sections. 

The first band is a low-pass shelving filter & the fourth band a high-pass shelving filter
 
 





The good old Doepfer 128 filter bank.
 
(Fixed Filter Bank) is a filter bank, made up of 15 parallel band pass filters, all with fixed middle frequencies and bandwidth (50 Hz / 75Hz / 110Hz / 150Hz / 220Hz / 350Hz / 500Hz / 750Hz / 1.1kHz / 1.6kHz / 2.2kHz / 3.6kHz / 5.2kHz / 7.5kHz / 11 kHz).
Each band pass filter has its own amplitude control knob
 
If you want to add a single audio output for each filter we have instructions for this modification available
 

Doepfer 128 - Fixed filter bank modifications

 

 

 

L1 Quad VC Resonant EQ
4 channels of Parametric EQ 

Also first band is switchable to LP mode and fourth band to HP to make low and high shelves. Also each band is switchable to boost or cut modes. Every parameter has voltage control, also master CV ins for all bands
 


 

 





Doepfer A 104
Trautonium Formant Filter
 
This was used in the Mixtur Trautonium by Oskar Sala. It is made of four parallel resonance filters, each filter can be switched to low pass or band pass or off.  

There is no VC.
Frequency, Q & Vol are all manually controlled.









Its a graphic EQ
Music Thing Modular
A compact, clean seven band Eurorack graphic equaliser inspired 
by the classic Boss GE-7 pedal.