Thursday, 14 September 2017

Numberwang - NLC - Build notes

These are my build notes for the Numberwang Eurorack module by nonlinearcircuits.
The Numberwang is a 4:16 decoder using the CD4514 CMOS logic chip.
I plan to use this for triggering drum modules.
It takes 1-4 gate signals and converts them into a 4 bit number, the corresponding output goes high.
It means you can mix clock signals to get complex timing structures and patterns.
There is also an overall sync input.

This is not to be confused with the Wangernumb module which I built earlier .(See previous notes).

The Numberwang is a 4:16 decoder. I plan to use this for triggering drum modules.

The Numberwang is also great for triggering the ARP2500's envelope generator module .. the 1046.
It appears to output gates with sufficient voltage. (The 2500 usually needs between 7V & 10V gates).
It also triggers the ARP 2600's ADSR envelope generator.
My voltage measurements from the Numberwang - Gates of approx 7V.
Use a Gate booster if your ARP doesn't trigger.

Andrew's build notes are here:
http://www.sdiy.org/pinky/data/Numberwang%20BOM%20guide.pdf


...




The CMOS 4514
I like to get the passive SMDs in next
The through hole stuff.
Jacks next:

Now the LEDs. They are loosely placed. I'll only solder when the panel is on.

Yah, it works.


 Links:
++Andrew's build notes are here:
    http://www.sdiy.org/pinky/data/Numberwang%20BOM%20guide.pdf 
++ NLC Blog


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Null A - NLC Build notes.

Here are the build notes for the Nonlinearcircuit Null A module.
This is in Eurorack format.
It's a reasonably big build so probably not good for a newbie.
Though it has all the major modules one would want so if you feel game go for it.

 2 VCOs, 2 LFOs, 3 VCAs, 2 filters,  1 sequencer, 1 clock divider, 1 mixer, 1 S&H, 1delay, 1 headphone amp and a chaos generator.

Andrew's build notes are here:
http://www.sdiy.org/pinky/data/NULL%20A%20build&%20BOM.pdf
His blog notes are here:
http://nonlinearcircuits.blogspot.com.au/2017/03/null-a2.html

There are lots and lots of SMDs and 2 PCBs.






I've seen the golden goat.
 These lyrics are from the band "The residents". From the album "Our Finest flowers"

I've seen the golden goat
He would like to lick my throat
I know he's mean and poor
And he waits at my door

He's too weak to do me harm
But he has a big long arm
It fills my dreamy head
Then I shake and wet my bed

Well, there's something I must tell you
I need something I will swear

The only perfect love
Is the one that isn't there
Yeah, the only perfect love
Is the one that isn't there

----------------------------------------------
More NLC wisdom.


Traditionally, in Aristotle's logical calculus view, there are only two possible values
(i.e., "true" and "false" or 0 & 1) for any proposition. 
This is also known as Boolean Logic and is the basis of modern computers.
But in multi-valued logic, there are more than two truth values.
For example, Łukasiewicz and Kleene accept the values "true", "false", and "unknown".
Fuzzy Logic is another example of a non-Aristotleian view of logic.
Here the truth values can be any real number between 0 and 1. It is employed to handle the concept of partial truth, where the truth value may range between completely true and completely false.

Not really sure what this one means.
DPT = Dipropyltryptamine ?
N,N-Dipropyltryptamine (DPT, also known as "The Light") is a psychedelic drug belonging to the tryptamine family, first reported in 1973.
Back to the build:
First components. The 074 op-amps

...

Using 4 x LM13700MX/NOPB
Mouser NO:  926-LM13700MX/NOPB


The module uses one PT2399. Its a guitar aUDIO processor/delay chip.
Mouser doesn't stock these. So found some on ebay.
Look for SOP 16 size.

There are three CMOS chips.
4024,4029, 4052.
Mouser numbers:
595-CD4024BE  
595-CD4029BM
595-CD4052BNSR

I'm using sizes SOIC-14/16, SOP-16
SOIC = Small Outline IC
SOP = Small Outline Package 

"A Small Outline Integrated Circuit (SOIC) is a surface-mounted integrated circuit (IC) package which occupies an area about 30 to 50 % less than an equivalent dual in-line package (DIP), with a typical thickness that is 70 % less. They are generally available in the same pin-outs as their counterpart DIP ICs. The convention for naming the package is SOIC or SO followed by the number of pins. For example, a 14-pin 4011 would be housed in an SOIC-14 or SO-14 package."
(Wikipedia)

-------------------------------------------
RL = resistor LED.
R176, R199, R217,261. These set the brightness of your LED. I'm using bipolar LEDs so picking 5k1 .... see how this goes..

 ----------------------


Q11,Q12 & Q29
I used a MMBFJ108 replacement.
Mouser no. 771-PMBFJ108-T/R


1K Tempcos.
Right side of main PCB  
 Centre of main PCB

 Left of main PCB


 Installing headers.

 Lots and lots of jacks n' pots


A NSL vactrol. cheap as chips. K = cathode = white dot on the vactrol.




Couldn't find a SMD 10M resistor. So a through hole had to do.



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Wednesday, 13 September 2017

mODCAN format - Cynthia programmer.

Cyndustries has been out of business for a bit so these are getting hard to find.
Even Cynthia's website is no more, so those old manuals, are sadly gone from the net.
If someone out there does have copies I'd be so grateful if you could contact me.
Anyway, these modules use the Modcan A format.
BENARES is a reference to Serge Tcherepnin.
Back in March 1977 Mr Serge Tcherepnin wrote a do it yourself article in Synapse Magazine for a voltage "Programmer" module. He published it using the alias of Mr. "Arpad Benares" .

The Modcan-A format uses a module height of 9", and a horizontal unit of 2.25".
Banana jacks are used.
A yellow jack indicates an output of some sort;
A gray jack is a signal input;
A white jack indicates a control voltage input;
A red jack is a trigger or gate input (or output in this case).

Each button has an individual gate output and gate input to activate other
modules in your system.
There is also a Common Pulse Out (CPO) jack to
fire your envelope generator no matter which of the buttons is pushed.
The AEP jack --- At End Pulse ...sends a pulse once the last step is reached. handy for switches, reset, transistional events etc 


The format uses ±15V power. The power connector used is a 3-pin MTA-156 connector.
It's very similar to the MOTM format, in which a distribution board connected to the power supply is connected to modules using short power cords with female connectors on both ends.

 Is that a CGS logo on one of the PCBs?

Modcan A modules are 9" high (5u is 8.75 inches) and single width modules are 2.25" wide
The most compact packaging is the Cyndustries sixpacks (13.5" x 9" x 7"). These are entirely different from the dimensions of 19" racks.





This programmer seems very similar to a Serge Programmer. 






But it does have its differences too which makes it worthwhile having. I really dig the extra step and voltage row on the modcan version. Plus those step inputs are so cool. .. you can step back and forward with different lfos



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These programmers can be chained to increase the step length.
Excuse the poor mobile phone audio.
As I don't have a manual I just winged it a bit.
These ribbon cables are how the chaining is accomplished.



i SET up the 3 programmers in a 10/5 step configuration.


Tuesday, 12 September 2017

Data Utility - Electribe 2

First press SHIFT + MENU/ENTER 

Then use left/right arrow buttons till you reach DATA Utility
 
The DATA UTILITY section is useful for doing things like 
factory resets, 
saving an abelton set to the SD card
Format of the SD card
Software updates
Exporting patterns
Importing patterns
Initialising patterns
Exporting audio

-------------------
Abelton .als files

Korg Electribe 2 models can export your music as an Ableton Live Set (.als) file. 
The pattern is saved from your Electribe to an SD card.
 
What's saved:
The Korg-specific files,
An Ableton Live Project consisting of the Live Set and necessary audio files, 
No midi data is saved.

Method:
  • press the Menu/Enter button.

 


  • Use the Cursor buttons and the Menu/Enter button to select the Data Utility menu.
 
 It's 27/28 in the main Menu section 
 
 
Use the Cursor buttons and the Menu/Enter button again to select the Export Audio menu.
 

  • Press Enter.
  • select Ableton Live Set as the type.

  • Press Menu/Enter once again to start the export process.


 When everything is done, it will return to the Export Audio window.

Eject the SD card and take it to your computer.
There is no MIDI data so a performance can't be recorded.

To do this, I just record the audio of a performance straight from the electribe into my DAW.

To record midi from the electribe:
Each pad/sound on the Korg is a midi channel so create 16 midi tracks (or however many channels you're using) and record this during your performance.

Tuesday, 5 September 2017

Patek Phillippe - 12 600 AT movement

 The Patek Philippe calibre 12-600 AT is one of the most important movements in Patek's history—and arguably one of the greatest automatic movements ever made.

Patek Philippe Calibre 12-600 AT — the basics


Specification
12-600 AT
Introduced1953
Production1953–1960
TypeAutomatic, central rotor
Diameter27.0 mm / 12 lignes
Thickness6.0 mm
Jewels30
Frequency19,800 vph / 5.5 Hz
Rotor18k solid gold
WindingBidirectional
SecondsSmall seconds at 6 o'clock
BalanceGyromax
HairspringBreguet overcoil
RegulationSwan-neck
Adjustment5 positions, heat/cold & isochronism
DecorationGeneva Seal-level finishing
..................

. Why the 12-600 AT is so important

The first thing to understand is that this was Patek Philippe's first automatic wristwatch movement.

And Patek didn't simply take an existing hand-wound calibre and add a rotor.

They designed an extremely sophisticated automatic movement that retained much of the traditional Patek architecture and finishing of the period.

It was introduced in the legendary Ref. 2526, which became Patek's first serially produced automatic wristwatch.

That makes the 12-600 AT to Patek what the 12-120 is to its manual-winding history: a foundational movement.


2. The Rolex problem

There's an interesting story behind why Patek waited so long to produce it.

Rolex patented its famous 360-degree rotor automatic system in 1931.

That patent effectively prevented other manufacturers from simply copying the concept.

So throughout the 1930s and 1940s, Patek concentrated primarily on hand-wound movements rather than rushing into automatic watches.

When the relevant patent restrictions expired, Patek introduced its own solution.

And rather than producing a relatively simple automatic calibre, Patek went in the opposite direction:

make it exceptionally sophisticated.

Phillips notes that Patek's inability to use a full-rotor automatic mechanism earlier was a major reason for the timing of the 12-600 AT.


3. That magnificent 18k gold rotor

This is one of the things that makes the 12-600 AT special.

The rotor is solid 18k yellow gold.

And it isn't simply polished gold.

It is engine-turned/guilloché decorated.

Think about that for a moment:

In 1953, the owner couldn't even see it.

There were no sapphire display backs.

Yet Patek decorated the rotor to an extremely high standard anyway.

That tells you something about the philosophy of mid-century Patek:

Finishing was done for the watchmaker, not merely for the customer.

The heavy gold rotor also provides excellent winding efficiency because of its high density.


4. The Gyromax balance

This is arguably the most important technical feature.

The 12-600 AT uses Patek's Gyromax balance, which originated from Patek patents in the late 1940s/early 1950s.

Instead of regulating the watch primarily by changing the effective length of the hairspring, the Gyromax system uses small adjustable weights on the balance.

That allows the watchmaker to alter the balance's effective moment of inertia.

The advantages include:

  • very fine rate adjustment
  • excellent positional performance
  • reduced disturbance to the hairspring
  • better potential for maintaining isochronism

This was extremely sophisticated for 1953.

And it became one of the defining technologies of Patek's high-grade movements.


5. Breguet overcoil

The 12-600 AT also uses a self-compensating Breguet balance spring with an overcoil.

The idea is to improve the concentric breathing of the hairspring.

That's important because the hairspring's behaviour is one of the major determinants of a mechanical watch's accuracy.

So you have:

Gyromax balance + Breguet overcoil + fine regulation

all working together.

That was a very serious chronometric approach for the period.


6. Swan-neck regulator

Another beautiful feature is the swan-neck regulator.

You can see it projecting from the balance cock.

It provides the watchmaker with extremely fine control over the regulator.

Visually, it's also one of the features that makes a vintage Patek movement immediately recognizable.

The downside is interesting: the swan-neck system wasn't ultimately considered the ideal solution.

Patek subsequently developed a more sophisticated adjustable balance-spring stud arrangement for its successor movement.

So the 12-600 AT represents both the culmination of traditional Patek regulation techniques and the beginning of their next generation of development.


7. The architecture is fascinating

Look closely at photographs of the movement.

It doesn't look like a modern automatic movement.

Instead, it retains a lot of the visual language of Patek's hand-wound movements.

You have:

  • separate balance cock
  • separate escape-wheel cock
  • separate fourth-wheel cock
  • large bridges
  • beautifully shaped components
  • Geneva striping
  • hand finishing
  • substantial rotor bridge

This is important historically.

The movement wasn't designed purely around industrial efficiency.

It was designed around traditional Geneva watchmaking architecture.

Revolution Watch describes this as the continuation of the traditional "finger-bridge" architecture of Patek's hand-wound movements.


8. 19,800 vph — why such an unusual frequency?

The balance oscillates at:

19,800 vibrations per hour

or:

5.5 beats per second.

Today we're accustomed to:

  • 18,000
  • 21,600
  • 28,800
  • 36,000 vph

So 19,800 looks strange.

But it made sense in the context of Patek's chronometric design philosophy.

The lower frequency reduces friction and wear compared with high-frequency movements while still providing sufficiently fine timing resolution.

And remember: this isn't a cheap movement trying to save energy.

It's a highly finished, carefully regulated chronometer-oriented calibre.


9. The Geneva Seal

The 12-600 AT was finished to the extraordinarily high standards associated with the Geneva Seal.

And this is where the movement becomes particularly interesting.

Patek wasn't merely producing a technically competent automatic movement.

It was essentially saying:

"Our automatic movement will meet the same standards as our finest manual movements."

That's why the movement is so beautifully decorated despite being hidden inside a solid caseback.

....................

10. The Ref. 2526

The movement's most famous application is unquestionably:

Patek Philippe Ref. 2526

This is one of the most important vintage Pateks ever made.







It combines:

12-600 AT
+
automatic winding
+
Gyromax balance
+
water-resistant case
+
enamel dial

The combination was extraordinary.

The classic 2526 has a beautifully domed enamel dial, applied gold markers and dauphine hands.

The case is around 36 mm, which was quite large for the early 1950s.

Phillips describes the 2526 as the watch that established the archetypal Patek automatic design of the period

.....................................

11. Production numbers

Only about 7,100 examples of the 12-600 AT were produced according to movement references commonly cited in horological literature.

That is tiny compared with modern Patek production.

And the movement was reserved for relatively high-end watches.

Most examples were fitted to precious-metal watches.

That scarcity is one reason vintage Patek collectors place such a premium on the movement.


12. The major weakness

Interestingly, the 12-600 AT wasn't perfect.

Its massive gold rotor created bearing-wear issues.

That's one of the problems with using a heavy gold rotor: you get excellent winding efficiency, but you also put considerable load on the rotor bearing.

Patek eventually redesigned the system.

And that led to the next major movement:

13. 27-460 — the successor

In 1960 Patek introduced the 27-460.

Think of it as:

12-600 AT → evolutionary development → 27-460

The 27-460 retained much of the basic philosophy of the 12-600 but incorporated important improvements.

Among them was a redesigned rotor bearing.

It then remained in production for decades, demonstrating just how fundamentally sound the underlying 12-600 architecture was.

14. Where I would rank it

If we're ranking Patek Philippe movements historically, I'd put the 12-600 AT extremely high.

My Patek movement hierarchy

RankMovementSignificance
🥇89-330 SCUltimate complicated Patek
🥈12-120Foundational classic
🥉12-600 ATPatek's first automatic masterpiece
427-460Superb evolution of 12-600
5240Revolutionary ultra-thin micro-rotor
627 SCQImportant perpetual calendar
727-70 QLegendary chronograph
8CH 27-70 familyModern high-end chronograph lineage
.....................

But if the category is "greatest automatic movements in watchmaking history", I'd put the 12-600 AT in the top handful.

That's remarkable considering it dates from 1953.

..........................

The really interesting thing about the 12-600

What makes it special isn't simply that it was Patek's first automatic.

It's the combination of technologies:

18k gold rotor
↓
bidirectional automatic winding
↓
Gyromax balance
↓
Breguet overcoil
↓
swan-neck regulation
↓
19,800 vph
↓
30 jewels
↓
Geneva Seal finishing
↓
traditional Patek architecture

And it was all put into production in 1953.

That's why collectors regard the 12-600 AT as one of the great landmarks of 20th-century mechanical watchmaking. Patek itself identifies the 1953 self-winding patent as a major milestone in its history.

...................................

Monday, 4 September 2017

Carl Craig - Synthesizer Ensemble - Sydney 2017

Wow .. and what a honour to see this guy live. A legend from Detroit.
This was held at the State Theatre in Sydney, Australia

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DJ, Producer, musician. Carl Craig.


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I couldn't see what instruments Craig was using, but each member of his ensemble used a prophet 6


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